Cannes 2026

Rediscover our Cannes coverage

  • Film Review: A Song for Imogene

    Film Review: A Song for Imogene

    ★★☆☆☆ Trapped in an unhappy relationship and a life going nowhere fast, Cheyenne’s (Kristi Ray) discovery that she is pregnant gives her the kick that she needs to leave her partner, Alex (Hadyn Winston). American writer-director Erika Arlee’s debut feature showcases strong performances and nice visual flourishes, but A Song for Imogene struggles to find…

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  • Film Review: Barbie

    Film Review: Barbie

    ★★★★☆ Among the most popular and iconic toys in the world, since its 1959 inception, the Barbie doll has delighted children while embodying unrealistic beauty standards for women. Is Barbie a sexist stereotype or neo-feminist icon? Erstwhile indie director Greta Gerwig and co-writer Noah Baumbach asks, why not both?

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  • Film Review: Oppenheimer

    Film Review: Oppenheimer

    ★★★★☆ Christopher Nolan directs his first biopic, depicting the scientist who developed the atomic bombs that would devastate and the cities of Hiroshima and Nagasaki and bring an end to the Second World War. The British director’s twelfth feature is a fascinating and accomplished cinematic object, but as a study of greatness, Oppenheimer’s subject is…

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  • Film Review: Mission: Impossible – Dead Reckoning Part One

    Film Review: Mission: Impossible – Dead Reckoning Part One

    ★★★★☆ Deep under the ice of the Bering Strait, a tactical exercise on a Russian submarine goes badly wrong. As the bodies of the doomed sub float to the surface, something sinister is hidden inside its hull. The first of a two-parter, Christopher McQuarrie helms the seventh episode of the era’s premier action series.

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  • KVIFF 2023: Our festival highlights

    KVIFF 2023: Our festival highlights

    There are few better ways to spend the first weekend of July than roaming between the picturesque pastel-coloured buildings of Karlovy Vary in the Czech Republic, sipping a glass of Becherovka and revelling in the vibrant energy and summery glamour of KVIFF. This year, Russell Crowe was in attendance, opening the festival with a performance…

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  • Film Review: The Damned Don’t Cry

    Film Review: The Damned Don’t Cry

    ★★★★☆ The British-Moroccan director of Lynn + Lucy, Fyzal Boulifa, returns to screens with this deeply moving tale of a mother and son living on the margins of society. Sharing its name with a 1950 Joan Crawford film, The Damned Don’t Cry has thematic resonance with its namesake as a study of women’s vulnerability in…

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  • Film Review: Indiana Jones and the Dial of Destiny

    Film Review: Indiana Jones and the Dial of Destiny

    ★★★☆☆ It’s 1969 and time has finally caught up with Indiana Jones. When he’s not napping in a bourbon-induced fug, he’s boring his students to sleep, counting down the hours to retirement. It seems that the days of the once legendary archaeologist’s adventures are behind him, until the daughter of an old friend arrives to…

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  • Film Review: 8 A.M. Metro

    Film Review: 8 A.M. Metro

    ★★☆☆☆ Following up his 2019 directorial debut Mallesham, Hyderabad-based director Raj Rachakonda returns to screens with a romantic drama that draws heavy inspiration from Brief Encounter, Ritesh Batra’s The Lunchbox, and the Before Trilogy. 8 A.M. Metro is a sweet but ultimately shallow film whose final act ultimately finds depth and dimension too late to…

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  • Film Review: Asteroid City
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    Film Review: Asteroid City

    ★★★☆☆ One of the most unmistakable filmmakers currently working, Wes Anderson is the go-to stylist for A.I.-generated parodies. His distinctive colour palettes, flat, lateral camera moves, diorama scene design and starry deadpan performances of witticism clipped from The New Yorker mean that most can pre-visualise his films before they even buy a ticket.

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  • Film Review: The Wicker Man

    Film Review: The Wicker Man

    ★★★★★ Once again, it’s time for cinema audiences to keep their appointment with The Wicker Man following a recent 4K restoration. It’s an offbeat masterpiece that reveals the dark heart of Britain through the perennial tension between social progress and the burden of the past.

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