★★★☆☆ A man sits alone in a room with a notepad and begins to scribble down his own voiceover. He only writes on one page and seems to always be starting at the top. His thoughts will be meticulous and he will show a certain expertise. When he’s finished writing he will place the pen on the table, neatly aligned with the pad.
★★☆☆☆ Bereavement, mental health, the threadbare US social welfare system and homelessness are the heavy topics that British-born director Deborah Richards tackles in her debut feature. Unfortunately, their worthy but superficial and somewhat incoherent presentation means that Move Me No Mountain is an emotionally and thematically inert experience.
★★★☆☆ Sometimes, it’s tough being really skilled at one thing in particular. Having flown out the blocks with two supremely good, bonafide hit horror films (Hereditary, Midsommar), writer and director Ari Aster had to make a departure to avoid being pigeon-holed as a genre specialist.
★★★☆☆ Detailing the life of Belfast’s Godfather of Punk, Terri Hooley (played with a compelling level of emotion by Richard Dormer), Lisa Barros D’Sa and Glenn Leyburn’s Good Vibrations (2012) is the story of a man with a very special...
