Festivals
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Locarno 2018: Our picks of the festival
One of the oldest European film festivals, Locarno celebrates its 71st edition with a vibrant programme of new films featuring 13 world premieres. Artistic director Carlo Chatrain curates his final festival before moving on to take over the reins of the Berlinale, and you can see what qualified him for the job in this exciting…
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KVIFF 2018: Our festival highlights
Radu Jude’s film claimed the top prize at this year’s festival and it’s easy to understand why. It embraces the kind of boldly political stance of classic Polish cinema from the Communist era like a riff on both Wajda and Zanussi. The result is a formally loose, but dizzyingly dense and morally forthright examination of…
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KVIFF 2018: Winter Flies review
★★★★☆ Olmo Omerzu’s follow-up to 2015’s Family Film is another tale of children left to their own devices by negligent parents, but this time takes the form of winning road movie caper Winter Flies. The title perhaps refers to resolute dipterans that have refused to be cowed by seasonal colder weather and are attempting to make…
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KVIFF 2018: Profile review
★★★☆☆ Timur Bekmambetov’s new thriller Profile seeks to explore the murky world of how social media is used to recruit vulnerable young women to ISIS. The results are as compelling as they are silly. Back when the entirely desktop-based Unfriended was released in 2014, Bekmambetov was candid about wanting to expand the conceit into an…
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KVIFF 2018: I Do Not Care If We Go Down in History as Barbarians review
★★★★☆ Following 2015’s Aferim!, Radu Jude returns to the topic of historical Romanian anti-Semitism in his furious new satire “I Do Not Care If We Go Down in History as Barbarians” which picked up the top prize at the 53rd edition of Karlovy Vary. Where Aferim! was a shaggy-dog road trip through 19th century Wallachia, Barbarians…
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Edinburgh 2018: Meeting Jim review
★★★☆☆ Jim Haynes is the focus of Meeting Jim, an unexpectedly captivating documentary by Ece Ger that’s been nominated for the Best Documentary Feature Film award at this year’s Edinburgh International Film Festival. Quite rightly too, as Jim spent a large portion of his life in the Scottish capital, attending university and running a number…
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Edinburgh 2018: Calibre review
★★★★☆ Matt Palmer’s debut feature Calibre is a tense, brutal thriller set in the rural Scottish Highlands. It boasts meaty performances from local talent Jack Lowden and Martin McCann as Vaughn and Marcus respectively, two childhood friends reunited for a weekend hunting trip. Vaughn is hesitant, now settled with a child on the way, while…
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Sheffield DocFest 2018: Our picks of the programme
This week sees the return of one of the highlights of the UK’s festival calendar in the form of Sheffield Doc/Fest, which runs from 7-12 June for its 2018 edition. As ever, the programme of over 200 documentary shorts and features boasts an array of non-fiction from thrilling crowd-pleasers and thought-provoking journalism to virtual realities…
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Sundance 2018: The Tale review
★★★★☆ Documentary filmmaker Jennifer Fox unravels her own history of sexual abuse in The Tale, a sharp and harrowing account of stories and lies hidden away at the expense of innocence. The truth of the story as far as Jennifer Fox (Laura Dern) knows, The Tale centres around the discovery of a school assignment recounting…
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Sundance 2018: Never Goin’ Back review
★★★☆☆ Fresh faces Maia Mitchell and Cami Morrone star in the debut feature film from Texan director Augustine Frizzell, the chaotic, stoner-girl trip Never Goin’ Back – playing this weekend at Sundance London. High-school dropouts Jessie (Morrone) and Angela (Mitchell) are inseparable. Nothing matters more to them than each other as they move from day-to-day,…