Toronto

  • Toronto 2015: ‘The Sky Trembles…’ review
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    Toronto 2015: ‘The Sky Trembles…’ review

    ★★★★☆ The unsettling skeleton of Paul Bowles’ short story A Distant Episode gives a narrative framework to Ben Rivers latest odyssey into the ethereal unknown. The Sky Trembles and the Earth is Afraid and the Two Eyes Are Not Brothers (2015) is a beguiling meditation on the nature of cinematic memory wrapped around the bones…

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  • Toronto 2015: ‘No Home Movie’ review
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    Toronto 2015: ‘No Home Movie’ review

    ★★★☆☆ Chantal Akerman’s latest film No Home Movie (2015) opens on a shot of a tree being buffeted by the wind with a barren expanse of Israeli desert stretching into the distance. The composition lasts for several minutes and is the first of five such asides dotted throughout this intimate portrait of the director’s ageing…

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  • Toronto 2015: Read our TIFF 40 preview
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    Toronto 2015: Read our TIFF 40 preview

    This week sees the red carpet rolling into the centre of the Ontario capital for the fortieth edition of the Toronto Film Festival. Giving a headache to keen festival-goers everywhere the anniversary line-up boasts a staggering 289 feature titles including a whopping 132 world premières. Bookending the festival will be Jean-Marc Vallée’s Demolition, which kicks…

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  • Toronto 2014: ‘Venice’ review
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    Toronto 2014: ‘Venice’ review

    ★★★☆☆ Despite its title, Kiki Álvarez’s Venice (2014) is very much about Cuba. Specifically, it’s a rarely seen independent film from the country, marking its director’s first appearance at the prestigious Toronto International Film Festival. Named after a city to which its characters will never travel, it is clearly imbued with an aspirational spirit, but…

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  • Toronto 2014: ‘Return to Ithaca’ review
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    Toronto 2014: ‘Return to Ithaca’ review

    ★★★☆☆ One of two films at Toronto 2014 that take in a group of friends over the course of one balmy Cuban evening, Return to Ithaca (2014) is the new film from French director Laurent Cantet. After the Palme d’Or-winning The Class (2008) and 2012’s somewhat clunky Foxfire, this is another dialogue heavy character piece.…

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  • Toronto 2014: ‘Ned Rifle’ review
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    Toronto 2014: ‘Ned Rifle’ review

    ★★★★☆ With Henry Fool (1997), Hal Hartley introduced the world to his garrulous and hedonistic eponymous rogue who, amongst other things, impregnated an impressionable young woman. Years later, she was coerced into a labyrinthine plot regarding her former husband’s long lost notebooks that resulted in her own self-titled movie, Fay Grim (2006). Now, Hartley has…

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  • Toronto 2014: ‘The Face of an Angel’ review
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    Toronto 2014: ‘The Face of an Angel’ review

    ★★★☆☆ Watching Michael Winterbottom’s The Face of an Angel (2014), it’s fascinating to try to decipher just how autobiographical it actually it is. An eclectic and deeply interesting homegrown director, Winterbottom’s films have often been imbued with a documentary rigour and that notion is explored here through a fictional handling of the infamous murder of British…

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  • Toronto 2014: ‘Nightcrawler’ review
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    Toronto 2014: ‘Nightcrawler’ review

    ★★★☆☆ “If you wanna win the lottery,” claims Lou Bloom, a gaunt and greasy Jake Gyllenhaal in Dan Gilroy crime drama Nightcrawler (2014), “you’ve gotta make the money to buy a ticket.” It’s a sly catchphrase that perfectly encapsulates the reptilian character that sits in the driver’s seat of Gilroy’s debut feature, which is screening…

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  • Toronto 2014: ‘Don’t Go Breaking My Heart 2’ review
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    Toronto 2014: ‘Don’t Go Breaking My Heart 2’ review

    ★★★☆☆ Whilst he may primarily be associated with the stylish Hong Kong gangster picks that have made him his name, director Johnnie To is not averse to turning his hand to lighter matters. Don’t Go Breaking My Heart (2011) was one such offering – a likable romantic farce in a manic financial sector with stocks…

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  • Toronto 2014: ‘The Duke of Burgundy’ review
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    Toronto 2014: ‘The Duke of Burgundy’ review

    ★★★★☆ With his first two features, Katalin Varga (2009) and Berberian Sound Studio (2012), British auteur Peter Strickland has made a name for himself by exploring exploitation genres – the revenge thriller and Italian giallo – with a meticulous and innovative eye. His attention turns to seventies European erotica in his latest, the rigorously stylish,…

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