Tom Duggins
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Film Review: Portrait of a Lady on Fire
★★★★☆ The lives of painters tend to be told with broad strokes. Famous artists are portrayed as tortured and romantic or else their work hangs over the story, weighing it down with a set of cultural expectations which are hard to shake off. With Portrait of a Lady on Fire, Céline Sciamma has crafted a…
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Film Review: Greed
★★★☆☆ Michael Winterbottom brings together a who’s who of British comic talent for his fast fashion satire Greed. Conceived as a biting commentary on inequality, sweatshop labour and…well, greed, the film lacks fluency and laughs, rarely managing to lands its many upward punches. High street fashion magnate Sir Richard McCreadie (Steve Coogan) is suffering a…
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Film Review: Parasite
★★★★★ Arriving in UK cinemas cloaked in the Oscars buzz of a Best Picture and Best Director nomination, Bong Joon-ho’s Parasite is riding high in the expectations of cinema-goers. Conditions are almost ripe for a backlash, the sort of overhype that leaves some a little disappointed, but this just ain’t that kind of film. Parasite…
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Interview: Song Kang-ho, Parasite
Having already topped many end-of-year lists in territories blessed with an earlier release schedule – not long after becoming the first-ever Korean film to win the Palme d’Or at Cannes – the hype for Bong Joon-ho’s Parasite is very real and richly deserved.
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Film Review: The Lighthouse
★★★★☆ Back in 2015, Robert Eggers delighted critics with the flesh-pecking horror of The Witch, a directorial feature debut which blended the theatrics of Arthur Miller’s The Crucible with shades of M. Night Shyamalan and the more grizzly adaptations of Stephen King. Five years on and Eggers is back to the same old tricks, mashing…
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Film Review: Sorry We Missed You
★★★★☆ Now into his sixth decade as a director, Ken Loach has followed up the Palme D’Or-winning I, Daniel Blake with another hard-hitting work of social realism. Teaming up once more with regular screenwriter Paul Laverty, Sorry We Missed You offers a scathing assessment of zero-hour contracts and the damaging effects the gig economy has…
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Film Review: Marianne & Leonard: Words of Love
★★★★☆ Prolific documentary maker Nick Broomfield returns with another musical project, this time choosing a more personal topic: the relationship between Leonard Cohen and Broomfield’s close friend Marianne Ihlen. “I was born,” Leonard Cohen once remarked, “with the gift of a golden voice.” Viewers of Broomfield’s new documentary Marianne & Leonard: Words of Love will…
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Interview: Alison Klayman, dir. The Brink
Alison Klayman made her name as a film-maker with 2012’s Ai Weiwei: Never Sorry, a close study of the revered Chinese artist which followed him across the course of several years, leading up to his eventual arrest in Beijing in 2011.
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Film Review: The Brink
★★★★★ In Alison Klayman’s new political documentary The Brink, former White House chief strategist Steve Bannon is accompanied around the world, from live speaking appearances to hotel meeting rooms, documenting his exploits in the year following his departure from the Trump administration. As a documentarian, Alison Klayman knows the value of wielding a light touch…
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Film Review: Support the Girls
★★★☆☆ The uniquely American phenomenon of Hooters-style sports bars provides the subject matter for Andrew Bujalski’s Support the Girls. More Cassavettes than Coyote Ugly, the film rarely concerns itself too deeply with the politics of such establishments, preferring instead to take a softer, human look at the lives of its employees. The sexual mores of…