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Tom Duggins

Film Review: All My Friends Hate Me

★★★☆☆ Andrew Gaynord, best known for directing episodes of the TV comedy Stath Lets Flats, delivers his feature debut, written by the acting duo of Tom Palmer and Tom Stourton. All My Friends Hate Me is a comic horror film about the town versus gown tensions that come to a head when a university group enjoys a birthday reunion at their friend’s manor house.

Film Review: Operation Mincemeat

★★★☆☆ In the early 1940s, with the world at war and Europe hopelessly divided, everyone was writing a spy story. Or at least, that’s what Operation Mincemeat will have you believe: a true tale of ingenious falsehood, where the boundaries between espionage and paperback fiction begin to blur.

Film Review: A Hero

★★★★☆ With A Hero, Asghar Farhadi is back in his cinematic wheelhouse, dissecting the emotional cost of social expectations, delivering a tightly-wound drama of debt, obligation and the difficult question of what one person’s reputation is really worth.

Film Review: Old

★★★★☆ The films of M. Night Shyamalan need little by way of an introduction. In the two decades since The Sixth Sense rocketed to the...

Film Review: PVT Chat

★★★★☆ Musician and filmmaker Ben Hozie tends to make films about New York’s more bohemian personalities. From documentary shorts about painters who use their...

Interview: Peter Vack, PVT Chat

Perhaps better-known for his work fronting the New York art band BODEGA, Ben Hozie is also a director of stylistically-daring documentaries and independent films that centre around the unusual lives of artists and societal outcasts.

Film Review: Stardust

★★★☆☆ It’s been five years since David Bowie passed away and filmmaker Gabriel Range has acknowledged the anniversary with Stardust, an unauthorised biopic which...

Film Review: Tenet

★★☆☆☆ Christopher Nolan’s films are so big, so hotly anticipated, that they form their own sort of gravitational pull, and cinema chains are hoping...

Interview: Thomas Clay, dir. Fanny Lye Deliver’d

It’s been over a decade since British indie director Thomas Clay had a new film set for release. After 2008’s Soi Cowboy, Clay spent time researching the English interregnum: exploring its political and social upheavals to find an untold story buried within a less frequently mined period of history.