Christopher Machell

  • Film Review: Atomic Blonde

    Film Review: Atomic Blonde

    ★★★★☆ The opening credits to David Leitch’s Atomic Blonde boldly announce that this is not the story of the Berlin Wall’s fall – its symbolic destruction instead serving as a backdrop for superspy Lorraine Broughton’s (Charlize Theron) often thrilling misadventures.Opening on the first of many gorgeously composed, monochromatic shots, Lorraine emerges from an ice bath,…

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  • DVD Review: The Saga of Anatahan

    DVD Review: The Saga of Anatahan

    ★★★★★ In 1944, a Japanese ship is sunk and its twelve crew seek refuge on the nearby Pacific island of Anatahan. Loosely based on real events, Josef von Sternberg’s 1953 tale of shipwrecked Japanese soldiers is one of desperation, base desire and the instability of moral codes.The crew quickly discover that Anatahan is already inhabited…

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  • Criterion Review: The Music Room

    Criterion Review: The Music Room

    ★★★★★ Indian master Satyajit Ray once said that music was more important to him than his beloved cinema. In the director’s The Music Room, re-released under the UK’s Criterion Collection label this week, his passion for the former and mastery of the latter is clear. Based on a Tarasankar Bandyopadhyay short, The Music Room depicts…

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  • Film Review: 47 Meters Down

    Film Review: 47 Meters Down

    ★★★☆☆ Lisa (Mandy Moore) has just been dumped by her boyfriend for being too boring. To prove him wrong, Lisa goes on holiday to Mexico with her sister, Kate (Claire Holt). Kate convinces Lisa she needs an adventure, in the form of cage diving with sharks, through a sketchy company run by two dudes they…

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  • DVD Review: Westfront 1918, Kameradschaft

    DVD Review: Westfront 1918, Kameradschaft

    ★★★★★ While only Westfront 1918 is set during the First World War, it and Kameradschaft are about the madness, futility and trauma of that conflict. Set in the final months of the war, Westfront 1918 is Georg Wilhelm Pabst’s first sound film.Kameradschaft, released the following year, depicts a group of German miners rescuing their French…

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  • Criterion Review: Stalker

    Criterion Review: Stalker

    ★★★★★ Arguably Andrei Tarkovsky’s finest masterpiece, the Russian director’s 1979 film Stalker is the culmination of a career-long preoccupation with memory, trauma and the relationship between subjective perception and physical reality. Following a mysterious disaster that rendered a small town uninhabitable, the eponymous Stalker (Alexksanr Kaydanovskiy) illegally takes visitors in to the area now known…

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  • Film Review: Dunkirk

    Film Review: Dunkirk

    ★★★★★ June 1940. Four-hundred thousand British soldiers prepare for evacuation from the beaches of Dunkirk. While Privates Alex (Harry Styles), Tommy (Fionn Whitehead), and Gibson (Aneurin Barnard) await rescue, RAF pilot Farrier (Tom Hardy) and pleasure-boat skipper Dawson (Mark Rylance) rush to help their comrades in arms.Opening on the streets of Dunkirk, Private Tommy dodges…

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  • Film Review: War for the Planet of the Apes

    Film Review: War for the Planet of the Apes

    ★★★★☆ In 2011, no one thought that Rise of the Planet of the Apes would be much cop. But not only did this plucky prequel prove to be terrific fun, it spawned one of the best trilogies in recent years: its closing chapter, War for the Planet of the Apes, being the king of the…

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  • Film Review: Spider-Man: Homecoming

    Film Review: Spider-Man: Homecoming

    ★★★★☆ Following three poorly received instalments and two franchise reboots courtesy of Sony Pictures, there’s a lot riding on Spider-Man’s (Tom Holland) prodigal return to the Marvel stable, a near miracle in itself of cross-studio collaboration.Indeed, though the words, “with great power comes great responsibility” are never actually spoken in Spider-Man: Homecoming, the mantra weighs…

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  • DVD Review: Lola

    DVD Review: Lola

    ★★★★☆ The third in his thematic Bundesrepublik Deutschland trilogy, prolific German director Rainer Werner Fassbinder’s Lola is a sumptuous, cynical historical satire, steeped in a fugue of post-war capitalist excess, moral hypocrisy and broken idealism.Directing over 40 films in less than twenty years, RW Fassbinder was still producing great work in the final years of…

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