London Film Festival
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#LFF 2021: Programme preview
Contrary to the doom and gloom in certain editorial circles, cinema is well and truly back. Ignoring the clickbait and released back into the wild, the BFI London Film Festival returns to – dare we say it – some sense of normality for 2021.
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#LFF 2020: Gold for Dogs review
★★☆☆☆ “Your cock and your words fill me with joy.” Crass to the point of being offensive, these lyrics – from one song of the soundtrack to Gold for Dogs – effectively sum up this deplorable coming-of-age debut feature. Nonsensical and tonally misguided, we travel from France’s Atlantic coast to Paris and back, but go…
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#LFF 2020: Shadow Country review
★★★★☆ Set in a small village on the Czech-Austrian border, and spanning fifteen years pre, during and post-Second World War, Bohdan Sláma’s Shadow Country is a monumental piece of filmmaking. Simultaneously an historical allegory of tremendous scope and a claustrophobic, cautionary tale of collaboration and bloody revenge, it is both epic in scale and intimate…
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#LFF 2020: Bloody Nose, Empty Pockets review
★★★★☆ Bloody Nose, Empty Pockets’ vérité style belies a quasi-staged reality that challenges the distinction between fiction and documentary, studying the stories we tell ourselves to make sense of the world. Shot over the course of a single night, Bloody Nose, Empty Pockets depicts the final night of ‘The Roaring 20s’, a Las Vegas bar…
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#LFF 2020: Time review
★★★★☆ Positing the question of whether the principal objective of incarceration is punishment, rehabilitation or undue persecution, Garrett Bradley’s Time is another vital addition to a growing canon of films to pointedly critique the US legal and prison systems’ unjust treatment of people of colour. If Ava DuVernay’s ground-breaking 2016 film, 13th, provided the macro,…
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#LFF 2020: Programme preview
Neither shaken nor stirred by the current climate, and rolling with this year’s seemingly unending string of punches with remarkable aplomb, the 2020 edition of the BFI London Film Festival will be unlike any that have preceded it. The big news is that this year’s terrific selection of the world’s best new films will be made available…
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#LFF 2019: The El Duce Tapes review
★★★★☆ The El Duce Tapes is one of the best music docs to come along in a while. Funny, honest, grotesque and fascinated by a pot-bellied miscreant most would run a mile from, the film is a thought-provoking foray into anti-commercial art and outsider lifestyles. You might have seen Eldon Hoke before. The musician made…
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#LFF 2019: Greed review
★★☆☆☆ Michael Winterbottom reunites with his perennial stars Steve Coogan and Shirley Henderson for a satire of the superrich set in the days running up to a lavish 60th birthday party in Mykonos. Coogan plays Sir Richard McCreadie, a clear pastiche of Philip Green that skims just wide enough of biography to keep the film…
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#LFF 2019: Blackbird review
★★★★☆ Set around a vast estate on the northeast American coast, in Roger Michell’s Blackbird, a family comes together over one last weekend to say their goodbyes to matriarch Lily (Susan Sarandon). Lily has a terminal illness which causes such physical deterioration that her body will eventually shut down entirely, leaving her unable to even…
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#LFF 2019: Leap of Faith review
★★★★☆ Alexandre O. Philippe continues his run of feature-length documentaries concentrated on classic genre movies, with a look at William Friedkin’s The Exorcist. Often described as “the Citizen Kane of horror”, this deep dive benefits from Friedkin serving as our personal guide. As a production, The Exorcist was virtually sui generis. In the history of…