Venice 2018: Alfonso Cuarón’s Roma wins Golden Lion
The winner of last year’s Golden Lion for The Shape of Water, Guillermo Del Toro joked “Let me see if I can pronounce this,”...
★★★★☆ A swift but singular filmmaking self-portrait, Leos Carax’s It’s Not Me reflects on the French auteur’s 40-year directorial career, as well as his many cinematic – and canine – influences.
★★★★☆ Ralph Fiennes approaches top form as a spiritually and morally-conflicted cardinal during a Vatican Conclave in Edward Berger’s gripping, oft-humorous follow-up to the multi-Oscar-winning All Quiet On the Western Front.
The 77th Cannes Film Festival concluded with a shift to the new generation. Notable awards went to Sean Baker’s Anora and Iranian director Mohammad Rasoulof The Seed of the Sacred Fig.
The winner of last year’s Golden Lion for The Shape of Water, Guillermo Del Toro joked “Let me see if I can pronounce this,”...
★★★★☆ Paolo Sorrentino’s Loro begins as it means to go on. A lawyer-baiting disclaimer informs us that the film is not based on real events...
★★★★☆ As Olavi (Heikki Nousiainen) approaches retirement, he reflects on his career as an antiques dealer. With little to show for it and no...
★★★☆☆ With the saturation of the zombie as modern cinema’s de facto monster, it’s difficult to imagine in what new direction the shuffling dead...
As the Toronto International Film Festival gears up for its 2018 edition (6-16 September), awards contenders, experimental filmmakers and indie hopefuls come together for...
★★★★★ We’ve already had A Star Is Born here at Venice. Now, with Brady Corbet’s latest film Vox Lux, we have A Star Is...
★★☆☆☆ S. Craig Zahler falls between ever-widening stools with his brutal new crime drama Dragged Across Concrete, which might have been more representative of...
★★★★☆ What Keeps You Alive is not just a edge-of-your-seat style thriller, but a searing portrait into relationships, and the horror of intimacy, or...