Festivals
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Venice 2017: Human Flow review
★★★★☆ Receiving its world premiere at Venice, dissident Chinese artist Ai Weiwei crosses borders with his wide-ranging documentary Human Flow, an angry and compassionate witnessing of what looks like being the greatest man-made tragedy of our times.“No one leaves home lightly,” says a female refugee from Iraq. “You suffer hardship just to get to safety.”…
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Venice 2017: The Insult review
★★★☆☆ In Lebanese-born director Ziad Doueiri’s The Insult, an apparently minor argument on a Beirut street escalates into a full-blown legal battle, which itself threatens to erupt into civil violence as it rips open the festering wounds of historic religious and national resentment. Tony Hana (Adel Karam) is a mechanic living in an apartment with…
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Venice 2017: Nico, 1988 review
★★★☆☆ Opening the Horizons sidebar, Susanna Nicchiarelli’s Nico, 1988 is a biopic of the German songstress who found fame with The Velvet Underground. Danish singer and actress Trine Dyrholm plays the diva with verve and energy, in a portrait which is also something of a reevaluation.“Don’t call me Nico,” Christa Päffgen (Dyrholm) tells her manager…
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FrightFest 2017: Tragedy Girls review
★★★☆☆ You know the slasher-movie drill. Two high-school students are parked on a country lane at night. The windows have steamed up. Busy necking, the boy and girl suddenly hear a noise outside. The boy gets out of the car, goaded by the girl, who questions his masculinity.Soon enough, his young face meets a masked…
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FrightFest 2017: Jackals review
★★☆☆☆ Kevin Greutert’s latest thriller sees a family up against a deranged cult. Set over the course of a few hours on a dark night, Jackals is an atmospheric horror movie from the director of the best Saw series (XI) and the criminally underrated Jessabelle.Set in the 1980s and supposedly based on a true story,…
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FrightFest 2017: Attack of the Adult Babies review
★★★☆☆ Dominic Brunt’s third directorial feature is a political satire intent on causing a stink. A tale of human greed and demented obsession with money, Attack of the Adult Babies has a lot to get off its chest and it’s abundantly clear which political parties it’s targeting.Somewhere in Yorkshire, a cabal of white middle-aged, porcine…
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FrightFest 2017: Victor Crowley review
★★★★☆ Kept under wraps for two years as a top-secret production, Adam Green’s Hatchet series redux Victor Crowley is a splatter movie joy. Both reboot and sequel directly connected to events in Hatchet III, Victor Crowley hits the horror movie sweet spot like an axe to the face. There’s something beautiful in the simplicity of…
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FrightFest 2017: Mayhem review
★★★☆☆ Joe Lynch’s grisly corporate satire Mayhem follows a young lawyer’s mission to confront the company CEO that screwed him over. The lawyer (Steven Yuen) and everyone in the building has been infected with a virus known as ID7, which increases rage levels to deadly effect.Mayhem is a populist tale of striking back against corrupt…
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FrightFest 2017: Imitation Girl review
★★★★☆ It would be unfair to dismiss Imitation Girl as an Under the Skin knockoff. Both are art films featuring an alien landing on Earth and assuming the form of a young woman, the theme of identity crisis is strong and there’s black gunk. That’s where similarities end.Julianna (Lauren Ashley Carter) is a porn actress living in…
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FrightFest 2017: 68 Kill review
★★★★☆ Misogynistic exploitation cinema or a study of misogyny? Premiering at this year’s Horror Channel-sponsored FrightFest, director Trent Haaga’s 68 Kill is a violent, button-pushing caper with excellent performances from AnnaLynne McCord and Sheila Vand.68 Kill opens with the image of a fly trapped in honey. Given that the plot concerns a weak-willed young man…