Edinburgh 2016: Ken and Kazu review
★★★☆☆ Ken and Kazu is a slow-to-boil Japanese crime thriller from writer-director Hiroshi Shoji that shows momentary glimpses of genuine promise without ever bubbling...
Directors Bettinelli-Olpin and Gillett’s “Abigail” mashes up crime caper and monster movie, but fails to deliver fear or humor. Spoilery trailers and unoriginal characters overshadow promising elements, resulting in a dull, lifeless experience lacking creativity and wit.
★★★★☆ In Alex Garland’s Civil War, a group of journalists embark on a road trip to interview the US President amidst a second American Civil War, while exploring media’s dehumanizing relationship with violence.
★★★★☆ Having won the Jury Prize in 2013 for Like Father, Like Son and the Palme d’Or in 2018 with Shoplifters, Cannes favourite and Japanese director Hirokazu Kore-eda returns with Monster, a masterful work of intricate storytelling, complemented by a lovely score by the late Ryuichi Sakamoto.
★★★★★ Theodor Adorno famously wrote that poetry was not possible after Auschwitz, but is cinema? Billy Wilder certainly thought so, getting footage from the camps as evidence as much as anything else. Steven Spielberg, Claude Lanzmann, Alain Resnais and Roberto Benigni have all with differing degrees of success tried their hands.
★★★☆☆ Ken and Kazu is a slow-to-boil Japanese crime thriller from writer-director Hiroshi Shoji that shows momentary glimpses of genuine promise without ever bubbling...
★★★☆☆ Throughout much of The Islands and the Whales the rugged Faroe archipelago, jutting out of the sea with awe-inspiring majesty, is shrouded in...
★★☆☆☆ Just as John Henry Clayton thought he was out, they pull him back in. Directed by Jon Cassar, Forsaken is a humdrum Western...