Most Recent. In John Bleasdale.

John Bleasdale

Venice 2019: The King review

★★★☆☆ “All hail the king,” proclaim the posters dotted around the Venice Lido. The story of Henry V gets a revisionist, Netflix-backed interpretation from Animal Kingdom director David Michôd as a floppy-haired Timothée Chalamet goes boldly into the breach once more in Venice out-of-competition offering The King.

Venice 2019: The Laundromat review

★★★☆☆ Do you remember when Steven Soderbergh retired from filmmaking? That was approximately five films and two television series ago. There’s a looseness to his new Netflix-bound Panama Papers takedown The Laundromat that, for both better or worse, smacks of an OAP not giving a tinker’s cuss.

Venice 2019: Ema review

★★★☆☆ Ema (Mariana Di Girólamo) is a young dancer with a Daenerys Targaryen bleach job and a love of Reggaeton. She’s also a bit of a pyromaniac. The first shot we see in Pablo Larraín’s new film Ema is of a stoplight burning, set on fire by Ema with her flamethrower.

Venice 2019: An Officer and a Spy review

★★★☆☆ The Dreyfus Affair is chronicled as a turn of the century espionage thriller worthy of le Carré in Roman Polanski’s An Officer and a Spy. There was a good chance that his film could have been withdrawn after the jury head Lucrecia Martel shared her dissatisfaction at the film being included in the competition.

Film Review: Ad Astra

★★☆☆☆ It’s the near future: a time of “conflict and hope”, according to the first title cards of James Gray’s latest offering, the space...

Film Review: Marriage Story

★★★★★ The Squid and the Whale director Noah Baumbach returns with his latest Netflix collaboration, Marriage Story, which sublimely manages to find humour and humanity in...