★★☆☆☆ It’s a who’s who of comedic talent in The Little Hours, which puts a modern spin on The Decameron, Giovanni Boccaccio’s collection of 14th century tales that is said to have inspired Chaucer and Shakespeare, amongst other celebrated writers.Aubrey […]
★★★☆☆ This culture clash comedy in the vein of late 1990s classic East Is East is warm-hearted, funny and light-footed. Raghdan (Nikesh Patel) lives in Sligo, where he moved from Bradford a few years ago to live with his uncle […]
★★☆☆☆ Up in the Scottish highlands on a break to try and rescue their fledging relationship, Louise (Rebecca Calder) and Claire (Deirdre Mullins) endure difficult occurrences in Gary Love’s less-than-inventive thriller.It starts out well enough. Louise, clearly experiencing a level […]
★★★☆☆ Laura Poitras returns with another probing political documentary, but this time the film’s own post production proves as fascinating as its whistle-blowing subject. The thought of several years of unprecedented access to Julian Assange and Wikileaks is more than […]
★★★★☆ The latest high profile Netflix feature, Bong Joon-ho’s Okja is lumbering, clumsy but ultimately as loveable as its eponymous star: it’s Babe on steroids. And it’s possible that as with George Miller’s classic many a future vegetarian will trace […]
★★★★☆ Baby Driver, writer and director Edgar Wright’s first film since capping off the Three Flavours Cornetto Trilogy with The World’s End, combines elements from the width and breadth (thriller, musical, comedy) to deliver one of the most original, thrilling […]
★★★★☆ Honouring and recognising the city of London through the power of images set to a beautifully orchestrated score, London Symphony – the crowdfunded documentary film from critic and filmmaker Alex Barrett – is an ode to a bustling, diverse […]
★★★★☆ “There was nothing before Sonja, and there is nothing after her.” Crack the cantankerous outer-shell of the boorish pensioner who stands head and shoulders above nuisance neighbours in Hannes Holm’s A Man Called Ove and beneath it lies a […]
★★☆☆☆ British actors Emma Thompson and Brendan Gleeson star as unexpected Nazi resistors Anna and Otto Quangel in Vincent Perez’s Alone in Berlin, adapted from the 1947 novel Each Dies Only for Himself by Hans Fallada, which wasn’t translated into […]
★★☆☆☆ For the initiated and uninitiated alike, Benny Boom’s All Eyez On Me will be seen as an opportunity missed. Never putting its larger than life subject under the objective microscope that all good biopics should, it vaults him instead […]
★★★★☆ Maurice Hatton’s 1978 film Long Shot is independent cinema at its most charming. As aspiring film producer Charlie (Charles Gormley) hawks his screenplay in Edinburgh, the film’s meandering, shaggy-dog plot does little to harm its overall warmth, wit and […]
★★★☆☆ Michelle Pfeiffer delivers one of her best performance in years in Where is Kyra?, director Andrew Dosunmu’s follow-up to Mother of George. It’s a dark, often suffocating character study that revels in misery, barely a hint of levity in […]
★★★☆☆ Damien Power’s feature debut Killing Ground adopts an interesting non-linear structure that nicely builds tension to tell a story that’s otherwise unremarkable. However smart it is in its plotting, the film ultimately succumbs to needlessly over-the-top violence.Ian (Ian Meadows) […]
★★★★☆ Simon Hunter’s Edie features a stand-out performance from Sheila Hancock, who takes a fairly standard story and makes it into a truly inspiring tale of overcoming grief and starting anew in later life. Hancock is Edie, an elderly woman […]
★★☆☆☆ Esteemed British actor John Hurt sadly passed away earlier this year at the age of 77, with one of his final roles being in Eric Styles’ That Good Night, which receives its World Premiere at the Edinburgh International Film […]
★★★★☆ This biopic of celebrated gay icon Touko Valio Laaksonen (known to many as Tom of Finland, played by Pekka Strang) is smartly made by Finnish director Dome Karukoski, whose feature treads on the heels of a well-received documentary released […]
★★★☆☆ Adapted from the best-selling novel Why We Took the Car, Goodbye Berlin is a quirky German coming-of-age comedy that’s funny if a bit formulaic. Maik (Tristan Gobel) is a disconnected teen; his mother is an alcoholic, his father isn’t […]
★★★★☆ Francis Lee’s God’s Own Country, a poignant gay romance about self-discovery in rural West Yorkshire, has been labelled a Brokeback Mountain on the Dales. It’s an understandable analogy, but it does understate the brilliance of Lee’s vivid depiction of […]
