★★★★★ Combining dramatic re-creation with musical performances, Ireland’s foreign-language Oscar entry Song of Granite is a lyrical paean to Gaelic culture and the ability of music to colour the distance between the past and present. In 2012, Pat Collins received critical acclaim for Silence, his cinematic ode to the soundscapes Continue Reading
★★★☆☆ The phrase “Do you know who I am?” takes on a new meaning in Sonia Kronlund’s The Prince of Nothingwood, an idiosyncratic documentary revealing an unseen side to Afghan life and culture. For though a global audience may have little prior knowledge of prolific B-movie filmmaker Salim Shaheen, every Continue Reading
★★★☆☆ Jennifer Peedom’s Mountain contains some truly breathtaking imagery, but it reduces the sublime wonders of the peaks to mere daredevilry. In this collaboration between Peedom – whose previous Bafta-nominated effort Sherpa explored similar territory – and the Australian Chamber Orchestra, dramatic footage of climbers, skiers, mountain bikers and base Continue Reading
★★★★☆ Set across three decades and two continents, Mountains May Depart is an affecting and ambitious tale of social upheaval in modern day China. The opening sequence of Jia Zhangke’s Mountains May Depart shows an energetic young crowd bopping along in a dance class, fittingly enough, to ‘Go West’ by Continue Reading
