CineVue

Film reviews and more

Month: February 2019

#Awards #Daniel Green

Oscars 2019: Green Book wins Best Picture, Colman is Best Actress

Several surprise wins livened up an otherwise low-key 91st Academy Awards, with Green Book trumping Roma to Best Picture and Olivia Colman besting Glenn Close for her role as Queen Anne in Yorgos Lanthimos’ The Favourite. Freddie Mercury biopic Bohemian Rhapsody won the most awards on the night with four, including Best Actor for Rami Malek, while Roma and Black Panther both took home three Oscars […]

#Martyn Conterio #Reviews

Film Review: Chi-Town

★★★☆☆ Selected for last year’s SXSW, Nick Budabin’s compelling fly-on-the-wall sports documentary Chi-Town (available now on iTunes) follows Chicago-born African-American college basketball star, Keifer Sykes, over the course of several years, as he pursues his big dream of playing in the NBA. At a swift and precise 79 minutes, Chi-Town packs a lot […]

#Awards #Daniel Green

Oscars 2019: Our predictions

The 91st Academy Awards are just hours away and yet, with the announcement that the Oscars for Cinematography, Editing, Live Action Short and Make-Up will no longer be banished to commercial breaks, the final ceremony itself still feels very much a work in progress. This is not the first controversy to hit this […]

#Berlin #Patrick Gamble

Berlin 2019: So Long, My Son review

★★★★☆ Sixth generation director Wang Xiaoshuai returns to Berlin with a decade-spanning family drama set against some of the most turbulent events in recent Chinese history. At just over three-hours, So Long, My Son is an emotionally wrenching film that’s epic in scope but intimate in feeling. Depicting China’s difficult transition from state-controlled communism […]

#Berlin #Rory O’Connor

Berlin 2019: Hellhole review

★★★★☆ In Michael Haneke’s Code Unknown, Juliette Binoche’s character Anne rides the Paris metro and is spat at by a young man with darker skin. In Bas Devos’ Hellhole, Alba Rohrwacher’s character rides the underground in Brussels and looks on as armed police survey her fellow passengers, who also have darker skin. In Haneke’s […]

#Alasdair Bayman #Reviews

Film Review: The Lady Eve

★★★★★ To modern audiences, screwball comedies serve as slapstick forms of the moving image. Yet, behind this, they unbalance gender politics in placing the dim-witted male against an intellectually superior female protagonist. No exception to this is Preston Sturges’ The Lady Eve starring Barbara Stanwyck and Henry Fonda. Fighting his way into the […]

#Christopher Machell #Reviews

Film Review: Happy Death Day 2U

★★★☆☆ The day after the events of Happy Death Day – in which Tree Gelbman (Jessica Rothe) must relive her murder over and over until she her killer – finds supporting player Ryan (Phi Vu) in similarly dire time-looping straits. Playing fast and loose with multiple genres, writer-director Christopher Landon’s sequel is a slightly different […]

#Berlin #Sara Merican

Berlin 2019: Varda by Agnès review

★★★★☆ Varda by Agnès contains the best parts of Agnès Varda: work, wit and wisdom. Though it does not reach the heights of her gloriously charming last film, Faces Places, it is still a cathartic, bittersweet swansong from one of cinema’s most endearing and adored auteurs. The film begins most unusually. The title […]

#Reviews #Sara Merican

Film Review: Jellyfish

★★★☆☆ Jellyfish delivers a thoughtful commentary on theatre and art through a bleak narrative of broken family life. It’s anchored by a strong performance from BIFA-nominated Liv Hill and a few downright hilarious punchlines, though the film suffers from an underdeveloped cast of supporting characters and some over-the-top dialogue. Against the backdrop of […]

#Berlin #Patrick Gamble

Berlin 2019: Bait review

★★★★☆ Bait joins a recent spate of British films that have abandoned the cities to depict a countryside in crisis. But, unlike social-realist dramas like The Levelling, Dark River and God’s Own Country, Mark Jenkin’s wonderfully weird debut subverts the kitchen sink template to create one of Berlin’s most original and satisfying films. […]

#Maximilian von Thun #Reviews

Film Review: A Private War

★★★★★ Matthew Heineman, best-known for his acclaimed documentaries Cartel Land and City of Ghosts, seamlessly makes the transition to fiction with the utterly absorbing and emotionally searing Marie Colvin drama A Private War. Anchored by a career-best performance from Rosamund Pike and flawless direction and storytelling by Heineman, A Private War ­- named after […]

#Berlin #Patrick Gamble

Berlin 2019: The Plagiarists review

★★★★☆ A pair of self-absorbed millennials are forced to confront the lack of originality behind their ideas in Peter Parlow’s The Plagiarists, a dramatic comedy that asks the questions; who has the “right” to access culture and who possesses the authority to speak on its behalf? The film opens with an argument between […]

#Reviews #Rory O’Connor

Film Review: Monos

★★★★☆ In Monos, a diverse group of hormonal teenage soldiers man an isolated outpost during an unseen war. Their station is a misty mountaintop dotted with monolithic concrete structures. It is said to be somewhere in Colombia but could easily be mistaken for the Scottish highlands. They’re tasked with watching over a POW […]