CineVue

Film reviews and more

Month: February 2019

#Martyn Conterio #Reviews

Film Review: Chi-Town

★★★☆☆ Selected for last year’s SXSW, Nick Budabin’s compelling fly-on-the-wall sports documentary Chi-Town (available now on iTunes) follows Chicago-born African-American college basketball star, Keifer Sykes, over the course of several years, as he pursues his big dream of playing in the NBA. At a […]

#Berlin #Patrick Gamble

Berlin 2019: So Long, My Son review

★★★★☆ Sixth generation director Wang Xiaoshuai returns to Berlin with a decade-spanning family drama set against some of the most turbulent events in recent Chinese history. At just over three-hours, So Long, My Son is an emotionally wrenching film that’s epic in scope but intimate […]

#Alasdair Bayman #Reviews

Film Review: The Lady Eve

★★★★★ To modern audiences, screwball comedies serve as slapstick forms of the moving image. Yet, behind this, they unbalance gender politics in placing the dim-witted male against an intellectually superior female protagonist. No exception to this is Preston Sturges’ The Lady Eve starring Barbara […]

#Reviews #Sara Merican

Film Review: Jellyfish

★★★☆☆ Jellyfish delivers a thoughtful commentary on theatre and art through a bleak narrative of broken family life. It’s anchored by a strong performance from BIFA-nominated Liv Hill and a few downright hilarious punchlines, though the film suffers from an underdeveloped cast of supporting […]

#Berlin #Patrick Gamble

Berlin 2019: Bait review

★★★★☆ Bait joins a recent spate of British films that have abandoned the cities to depict a countryside in crisis. But, unlike social-realist dramas like The Levelling, Dark River and God’s Own Country, Mark Jenkin’s wonderfully weird debut subverts the kitchen sink template to […]

#Berlin #Patrick Gamble

Berlin 2019: The Plagiarists review

★★★★☆ A pair of self-absorbed millennials are forced to confront the lack of originality behind their ideas in Peter Parlow’s The Plagiarists, a dramatic comedy that asks the questions; who has the “right” to access culture and who possesses the authority to speak on […]