CineVue

Film reviews and more

Month: April 2019

Film Review: Vox Lux

★★☆☆☆ Vox Lux is the second directorial feature from actor and filmmaker Brady Corbet. An imagined biography of a fictional pop star, the film is ambitious in its structure but only occasionally flickers into life. The very beginning of Vox […]

Film Review: Avengers: Endgame

While this review avoids major plot points be wary of minor spoilers. ★★★★☆ Following the defeat that led to the death of half of the universe, Earth’s mightiest heroes are scattered, bewildered and broken, clutching at straws for a solution to […]

Film Review: Ash Is Purest White

★★★★☆ In Chinese auteur’s Jia Zhangke’s latest film, which premiered to acclaim in Cannes last year, unrequited love and inner resolve are pitted against the rapidly-changing world of modern China. Ash Is Purest White is an epic spanning decades and vast geography that […]

Film Review: Bel Canto

★★★★☆ Paul Weitz and Anthony Weintraub’s screen adaptation of Ann Patchett’s novel Bel Canto deftly weaves romance into a taut hostage drama. Roxane Coss (Julianne Moore), an international opera star (vocals courtesy of Renée Fleming) has been asked to sing […]

Scents of cinema: perfume in film

Movies, by their very nature, are audio-visual experiences. We watch the characters move around and we see the plot play out on-screen as we hear the music, the voices, the sound effects, and more. The idea of a film being […]

Film Review: Dragged Across Concrete

★★★★☆ Over the course of his previous two features, S. Craig Zahler has carved a name for himself as a skilled director of deep character-based studies with added gore value. Though not as overtly provocative or aggravating as Quentin Tarantino, […]

Cannes 2019: Palme d’Or lineup announced

The Cannes lineup for its 72nd edition was announced today. Following a falling out with Netflix and the increasingly heavyweight competition of Venice, the 2019 programme feels like it had something to prove – and it looks to have delivered. […]

Film Review: Loro

★☆☆☆☆ Paolo Sorrentino announced himself on the international stage with the sterling Il Divo, a study of Italy’s perennial mover and fixer Giulio Andreotti and in the process an evisceration of the Italian political class, with a style that oscillated […]

Film Review: Red Joan

★★★☆☆ Based on a true story, Trevor Nunn’s Red Joan is an absorbing wartime drama about a spy ring. It opens in 2000 with Joan (Judi Dench), a pensioner happily tending her roses. Shocked by her unexpected arrest for alleged […]

Film Review: The Man Who Killed Hitler and Then the Bigfoot

★★★★☆ For a film to announce itself with such a knowingly outlandish title, you’d be forgiven for thinking that The Man Who Killed Hitler and Then the Bigfoot was deliberately baiting that midnight movie-type audience. You only need to see […]

Film Review: Mid90s

★★☆☆☆ Written and directed by Jonah Hill, Mid90s paints a deeply personal, sun-drenched vision of skate culture in Los Angeles, as seen through the eyes of its teenage protagonist. It’s the latest production from A24, the company who brought us Moonlight, Lady Bird and Eighth Grade, […]

Film Review: Wild Rose

★★★☆☆ In the era-defining Trainspotting, Ewan McGregor’s Renton exclaims “It’s shit being Scottish.” As a fellow Scotsman, raised in England, this writer can confirm that it is indeed shit being Scottish. Still, this derogatory attitude towards one’s nationality pervades in […]

DVD Round-up: Mar 2019 edition

Our championing of the best in home entertainment continues with our March round-up. Criterion and Eureka dominate this month’s line up with four wildly-different titles all deserving of attention – Luchino Visconti’s Death in Venice, Charles Burnett’s To Sleep With Anger, Sammo […]

Film Review: Last Breath

★★★☆☆ Saturation diving in the North Sea is a world of experience that most of us know nothing about. One of the divers in Alex Parkinson and Richard da Costa’s new film Last Breath, in UK cinemas this week, describes […]

Film Review: A Clockwork Orange

★★★★☆ Unlike many book adaptations, Stanley Kubrick’s A Clockwork Orange stands equally apart and with Anthony Burgess’ original source material. Presenting Burgess’ unique world on-screen – importantly retaining his character’s Nadsat dialectic – Kubrick’s methodical attention to detail proved to […]

Film Review: Shazam!

★★★☆☆ Originally called ‘Captain Marvel’ in early DC comics, due to a convoluted copyright issue Marvel’s distinguished competition were forced to change the superhero’s name to the equally silly moniker, Shazam. The origins of this colourful crime-fighter may be dull, […]