CineVue
For the latest reviews of arthouse, documentary and indie film in cinemas and on the festival circuit.
★★★★☆ A delve into the relatively short life of charismatic INXS frontman Michael Hutchence somehow feels long overdue. Perhaps because he was foremost a fascinating figure in rock, whose mystique and allure was sadly upended with the constant press intrusions when he became prime tabloid fodder before his untimely demise, Continue Reading
★★★★☆ For a film to announce itself with such a knowingly outlandish title, you’d be forgiven for thinking that The Man Who Killed Hitler and Then the Bigfoot was deliberately baiting that midnight movie-type audience. You only need to see the wistful gaze of the great Sam Elliott – sat Continue Reading
★★★★☆ Documentary as self-therapy, the Oscar-nominated Minding the Gap arrives in the UK this week following a flurry of State-side plaudits – all of which are entirely justifiable. Chronicling the lives of himself and two friends from teenage years to young adulthood, director Bing Liu has crafted a rich coming-of-age Continue Reading
★★☆☆☆ When Edgar Wright and Simon Pegg created the zom-rom-com in 2004 with their beloved Shaun of the Dead, even they couldn’t have envisioned just how many genre mash-ups could have been spun from the walking dead. Since then we’ve had further high-octane comedies (Zombieland), a heart-rending father and daughter Continue Reading
★★★★☆ While Anchor and Hope’s subject matter will undoubtedly pique the interests of a LGBTQ audience, it’s clear that director Carlos Marques-Marcet isn’t interested in pigeonholing his work, and that the film’s themes of family and unity will strike a chord with all viewers, regardless of their sexual orientation. The Continue Reading
★★★★★ Hong Kong megastar Jackie Chan is as prolific as they come – last year alone, the 64-year-old had eight acting credits to his name – but it was 1983’s Project A which not only solidified his reputation back home, but it also brought him a legion of fans in Continue Reading
★★★☆☆ A British war-time thriller with a difference, Eye of the Needle is played out as far removed from those war-torn battlefields as you could get. Instead, director Richard Marquand opts largely for more intimate surrounding and manages to squeeze out some memorable moments of Hitchcockian suspense and tension. On the Continue Reading
★★★★☆ The rise, fall and eventual rise again of James Lavelle, vinyl junkie turned trailblazing record label producer and creative figurehead of musical outfit UNKLE, may be an overly familiar tale of the young ingénue who succumbs to his own bloated ego and lifestyle excesses. But what gives The Man Continue Reading
★★★☆☆ Another week, another anniversary celebration of a firm favourite from the decade that continues to be more influential across the modern pop culture landscape than any other time period. In an era when Winona Ryder was the celebrated alternative American sweetheart, and Christian Slater could still get away with Continue Reading
★★★☆☆ “Greed isn’t good” remains the predominant message in Laura Greenfield’s sporadically engrossing and frequently overreaching look at the culture of capitalism. Generation Wealth feels like something of a thesis project for the director, who was behind 2012’s similarly-themed, multiple award-winning The Queen of Versailles. That film was a brilliant Continue Reading
★★★★☆ John Curry might not be a name immediately recognisable to younger sporting fans, but after a successful competitive career on the ice – topped off with a gold medal during the 1976 Winter Olympics – he blazed a trail in the world of ice-dancing. His innovations are still unparalleled Continue Reading
★★★★☆ The beautifully constructed opening credits to Billy Wilder’s The Private Life of Sherlock Holmes are set fifty years after the character’s supposed death, where his personal artefacts are being reopened and methodically inspected. It suggests that what we’re about to witness is the ‘real’ story behind the fabled detective. Continue Reading
★★★☆☆ Following the success of Night of the Living Dead, the late George A. Romero became something of a one-man movie studio in his adopted city of Pittsburgh. Romero didn’t opt for the obvious and took a much more unconventional, challenging route.Given that reluctance to adhere to expectations, it’s a Continue Reading
★★★☆☆ There’s blood and banter in equal measure throughout Benjamin Barfoot’s dark, irreverent comedy horror Double Date. The thundering opening credits, accompanied by Swedish psych-rockers Goat, are indication that a unique spin on ‘lad culture’ lies ahead. The well-meaning but wet Jim (played with comic aplomb and a sweet sincerity Continue Reading
★★★★☆ An Asian gentleman boisterously raising a glass to “this damn country, which we love and hate” perfectly encapsulates the conflicted nature of the immigrant experience in Stephen Frears’ wry take on capitalist-era London through the prism of first generation British Pakistanis.The third feature from the hugely prolific Frears (and Continue Reading