Venice 2014: ‘Jackie & Ryan’ review
★★☆☆☆ Returning to the Venice Lido in the Orizzonti sidebar after her mildly gripping thriller Texas Killing Fields premièred here back in 2011, Ami...
★★★★☆ The ‘multiverse’ is one of the worst concepts to enter storytelling since Victoria Principal woke up in Dallas and discovered it had all been a dream. And so it’s weird to find yourself in a universe where the concept finally gets a decent cinematic treatment in Timm Kröger’s The Theory of Everything, not to be confused with Eddie Redmayne’s black hole.
The head of this year’s Venice jury Julianne Moore awarded the festival’s top prize, the Golden Lion, to Laura Poitras’ All the Beauty and the Bloodshed, her profile of artist Nan Goldin and her campaign against the Sackler family. It’s a brilliant, committed piece of activist cinema.
In what has to be one of the crazier award ceremonies to grace the Venice Lido on its 76th edition, Todd Phillips’ Joker took home this year’s Golden Lion in a move guaranteed to provoke a flood of hot takes, an avalanche of think pieces and further lubrication for Oscars season.
★★☆☆☆ Returning to the Venice Lido in the Orizzonti sidebar after her mildly gripping thriller Texas Killing Fields premièred here back in 2011, Ami...
★★★★☆ Showing in Venice’s Orizzonti sidebar, Chaitanya Tamhane’s quietly brilliant Court (2014) takes an individual court case and, through following its laborious labyrinthine process,...
★☆☆☆☆ Showing out of competition at the Venice Film Festival, Joe Dante’s zom-com Burying the Ex (2014) is an unfunny undead comedy that in...
★★★☆☆ Turkish filmmaker Kaan Mujdeci’s debut feature film and Venice competition entry Sivas (2014) is a well-shot if slight story of a young boy...
★★★☆☆ In a Venice that has been bizarrely bereft of strong female performances and roles – Bechdel tests at the ready – Xiaoshuai Wang’s...
★★★☆☆ Novelist, scenarist, journalist, political thinker, opinion maker and film director, Pier Paolo Pasolini was and is a huge influence on Italian intellectual life...
★★★★☆ “It’s called tragic but don’t let’s snivel,” says a character in director Alix Delaporte’s new film The Last Hammer Blow (2014), a refreshing...
★★☆☆☆ Screening in the Orizzonti sidebar of the Venice Film Festival, Michele Alhaique’s gangland romance Senza Nessuna Pietà (2014) is a slickly made yet...