Interview: Pedro Costa, dir. Vitalina Varela
Since his 1997 feature Ossos began his work with the disadvantaged communities of Fontainhas in Lisbon, Pedro Costa has become one of cinema’s most singular voices on the dispossessed. Through his Fontainhas trilogy (the aforementioned Ossos, In Vanda’s Room, and Colossal Youth) and beyond (Horse Money) Costa has created astonishing, Continue Reading