★★★★☆ Denis Villeneuve returns to the big screen with his adaptation of Frank Herbert’s science fiction epic. Grander in scope than any of Villeneuve’s work yet, Dune is proper, ambitious blockbuster filmmaking for grown-ups.
★★★★☆ The French Dispatch of Wes Anderson’s latest film’s title is a fictional magazine, set up by proprietor and editor Arthur Howitzer Jr. (Bill Murray), a European supplement for a Kansas newspaper owned by his father.
★★☆☆☆ Following up his 2016 feature debut My Entire High School Sinking Into the Sea, comic book writer and filmmaker Dash Shaw continues with his quirky style of animation with Cryptozoo, a countercultural-tinted riff on environmentalism.
A good prison escape film is not just a film that depicts a jail break or escaped inmates. The film should centrally emphasise the escape, both tonally and practically, while also considering the circumstances that necessitate the escape.
★★☆☆☆ Told in a loose beginning, middle and end, Jacques Audiard’s criss-crossing Paris, 13th District revolves principally between the film’s three central characters: Émilie (Lucie Zhang), Camille (Makita Samba) and Nora (Noémie Merlant).
★★★★☆ Lucile Hadžihalilović doesn’t make many films; Earwig being her third in almost twenty years. Yet in just three works, she has established herself as a filmmaker of uncompromising vision, the weird stories she tells focused on childhood, with strong elements of body horror.
★★★★★ A visionary crossover of the theatrical and the cinematic, ear for eye demonstrates writer-director debbie tucker green’s remarkable creative versatility and clarity of expression. Hitting the big screens of the London Film Festival and small […]
★★★★☆ All that glitters is not gold, but there is positivity to be found in radioactivity. Co-directed by Małgorzata Szumowska and Michał Englert, the haunting supernatural forces at work in Never Gonna Snow Again are elusive, inexplicable and yet perfectly in sync with reality.
★★★★☆ Set mainly in 1950s Rio de Janeiro, Brazilian-born filmmaker Karim Aïnouz’s The Invisible Life of Eurídice Gusmão examines the all-encompassing injustices of patriarchy through the story of two sisters’ lifelong dedication to one another.
★★★★☆ Does a filmmaker use cinema as his or her own confessional booth or a darkened space in which to escape the harsh realities of the outside world? When the curtain closes and the lights go […]
★★★★☆ Fabrice Du Welz’s sixth film Inexorable continues to explore his fascination with troubled souls. Here, it’s a young woman on a mission to destroy an author and his upper-class wife, for reasons which are kept […]
★★★☆☆ As fuzzy and reassuring as a multi-coloured Pringle sweater-vest, The Phantom of the Open is a good, old-fashioned crowd-pleaser. Based on a true story, it stars Mark Rylance as Maurice Flitcroft, a Barrow-in-Furness crane-operator turned […]
★★★☆☆ Only viewers of a certain age will be familiar with the erratic sound of a dial-up modem firing into gear. It’s one of a whole host of pitch-perfect gags that litter new animation Ron’s Gone Wrong, […]
★★★★☆ After the large-scale brutality of political horror film New Order, Michel Franco returns with a low-key study in deceptive behaviour and enigmatic motives. Tim Roth headlines as a man attempting to escape his past and […]
★★★★☆ From celebrated South Korean filmmaker Na Hong-Jin, The Medium is an occult shocker set in an isolated village in northern Thailand. A tropical (and therefore suitably febrile) take on the demonic possession and mockumentary/found-footage sub-genres, its creepy […]