Film Reviews & More
★★★★☆ With Luca Guadagnino’s terrific Challengers, the acclaimed director of Call Me By Your Name brings us the sub-genre we never knew we needed: the erotic tennis thriller.
★★☆☆☆ Directors Bettinelli-Olpin and Gillett’s “Abigail” mashes up crime caper and monster movie, but fails to deliver fear or humor. Spoilery trailers and unoriginal characters overshadow promising elements, resulting in a dull, lifeless experience lacking creativity and wit.
★★★★☆ In Alex Garland’s Civil War, a group of journalists embark on a road trip to interview the US President amidst a second American Civil War, while exploring media’s dehumanizing relationship with violence.
★★★★★ Paul Thomas Anderson returns to the director’s chair with Licorice Pizza, a joyous, hazy and nostalgia-inflected romantic drama set in California’s San Fernando Valley of the 1970s, featuring knockout debut performances from Alana Haim and Cooper Hoffman.
★★★★☆ Titane may only be her second feature, but French director Julia Ducournau has already asserted herself as among the strangest and most exciting filmmakers working in genre cinema. Her follow up to 2016’s Raw exceeds even that film in its unhinged capacity to disturb and enthral. In short, Titane is a triumph.
★★★★☆ The franchise reboot we never knew we needed, Lana Wachowski’s The Matrix Resurrections is a wonderfully strange and baffling film, less of a fourth entry in an ongoing saga and more a personal reflection on the original trilogy.
“This can’t last. This misery can’t last.” A strange epitaph to begin an end of year list, perhaps, but these words – spoken by the aptly-named Celia Johnson in Brief Encounter – neatly summarise a year that for many of us has at once seemed interminable and all too transitory.
★★★★☆ While not quite hitting the highs of the similarly-themed animated offering Into the Spider-Verse, Jon Watts’ Spider-Man: No Way Home is still a thoroughly entertaining, web-slinging adventure.
★★★★☆ Though it is inhabited by folkloric creatures, Lamb ultimately reveals itself as a human drama that uses generic conventions as a way of examining the destructive nature of trauma.
★★★★★ Winner of the Golden Bear at last year’s Berlin Film Festival and banned in its home country of Iran, Mohammad Rasoulof’s eighth film as director intensely scrutinises Iran’s use of the death penalty through the lens of four separate episodes.
★★★★☆ The tragicomic absurdity of cultural morality is the target of prolific Romanian filmmaker Radu Jude’s latest feature, the bawdy social satire – and 2021 Golden Bear winner – Bad Luck Banging or Loony Porn.
