Christopher Machell

★★★★★ Japanese director Ryûsuke Hamaguchi spins out Haruki Murakami’s fable of a theatre director and his chauffeur into an intimately detailed, three-hour study of grief, loss and acceptance.

★★★★☆ Taking its cues from Tarkovsky’s Ivan’s Childhood, and comparable in both tone and content to Václav Marhoul’s 2019 The Painted Bird in its study of war’s corrosive effects on the human soul, Natural Light illuminates the fading glow of humanity amidst horror.

★★☆☆☆ Hot off her extraordinary success with the Oscar-winning Nomadland, director Chloé Zhao orchestrates the latest entry in Marvel’s supersized superhero series.

★★★☆☆ Tracking the dealings of a Swiss banker growing increasingly frantic to hang on to lucrative clients spooked by the turmoil, Azor eschews outward thrills or genre intrigue in favour of unspoken dread.

★★★★☆ Denis Villeneuve returns to the big screen with his adaptation of Frank Herbert’s science fiction epic. Grander in scope than any of Villeneuve’s work yet, Dune is proper, ambitious blockbuster filmmaking for grown-ups.

★★☆☆☆ Following up his 2016 feature debut My Entire High School Sinking Into the Sea, comic book writer and filmmaker Dash Shaw continues with his quirky style of animation with Cryptozoo, a countercultural-tinted riff on environmentalism.

★★★★☆ Set mainly in 1950s Rio de Janeiro, Brazilian-born filmmaker Karim Aïnouz’s The Invisible Life of Eurídice Gusmão examines the all-encompassing injustices of patriarchy through the story of two sisters’ lifelong dedication to one another.

★★★★☆ Elegance Bratton’s feature debut Pier Kids is a poignant and chaotic study of a community of young black gay men and trans women who congregate at the piers of Hudson River Park, New York City.