Sheffield Doc/Fest 2014: ‘Visitors’ review
★★★★☆ Godfrey Reggio seems cursed to be forever looked upon as a perpetrator of the modes and forms of the music video and advert...
★★★☆☆ ‘Second time’s a charm’ is not the feeling that hits home when reflecting upon the Coen brothers’ Hail, Caesar!, the opening film of...
The Un Certain Regard section was where the debut feature, A Girl at My Door (2014) from South Korean director July Jung unspooled to...
★☆☆☆☆ The way Bryn Higgins’ sophomore feature, Electricity (2014), sees itself is perhaps an integral part of its ultimate failure. It considers itself as...
★★★★☆ Godfrey Reggio seems cursed to be forever looked upon as a perpetrator of the modes and forms of the music video and advert...
★★☆☆☆ Good intentions are the preserve of the deserved, which is a paradox that Berlin Film Festival prize-winner When I Saw You (2012) never...
★★★☆☆ When is too much enough and not enough moreish is the question one takes away from Sebastian Junger’s sequel to his award winning...
★★★★☆ Marking the 30th anniversary of its UK debut, StudioCanal rereleases the highly influential The King and the Mockingbird (1980) in a fully restored...