Toronto
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Toronto 2018: Green Book wins People’s Choice Award
After garnering rave reviews at Venice, Alfonso Cuarón’s luminously beautiful Roma arrived at the Toronto Film Festival to equal acclaim, but it was Barry Jenkins’ world premiere of If Beale Street Could Talk that garnered the most buzz on the ground. Widely considered the front-runner for the festival’s People’s Choice Award, If Beale Street Could…
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Toronto 2018: Wavelengths and shorts roundup
The focus of the Toronto Film Festival might be on the hundreds of features that grace the screens of the 10-day cinematic celebration, but the many shorts that are showcased at TIFF are also always worth checking out. Take a look at our round-up of the some of the best in show. The festival’s Wavelengths…
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Toronto 2018: Mid90s review
★★★★☆ Who would have thought that the foul-mouthed kid from Superbad would go on to direct one of the year’s best comedy-dramas? Yet here we are with Mid90s, Jonah Hill’s paean to youth, friendship and nostalgia. Shot in 1.33 : 1 aspect ratio and on super 16mm film, Hill faithfully replicates the look of the…
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Toronto 2018: Her Smell review
★★★★☆ Becky Something (Elisabeth Moss), the front woman of punk band Something She, is in trouble. The band once hit the big time, but Becky’s intolerably erratic behaviour has virtually crippled the group and threatens to destroy Becky. Told in five distinct acts, Alex Ross Perry’s Her Smell is an intense study of self-destruction. Each…
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Toronto 2018: The Death and Life of John F. Donovan review
★☆☆☆☆ In 2006, 11-year-old Rupert Turner (Jacob Tremblay) strikes up a secret epistolary friendship with his TV star hero, John Donovan (Game of Thrones star Kit Harington), before he dies of an overdose, devastating the young boy. Eleven years later, he’s written a book of his experience, about which he is interviewed by a reluctant…
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Toronto 2018: American Dharma review
★★☆☆☆ Errol Morris tackles his most disturbing and slippery subject to date, Steve Bannon, in new documentary American Dharma. Morris paints a frighteningly apocalyptic figure, but in depicting Bannon as the kind of subject Satanic king-maker that he clearly admires, one wonders how much the tail is wagging the dog. Set in an abandoned hangar,…
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Toronto 2018: Gloria Bell review
★★★★☆ Gloria (Julianne Moore) is in her fifties, divorced and lives alone. A mysterious cat keeps finding its way into her apartment and the guy upstairs seems permanently in the throes of a nervous breakdown. When Gloria meets Arnold (John Turturro), life suddenly seems exciting and full of possibilities again in the latest from Chilean…
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Toronto 2018: Maya review
★★★☆☆ When French war reporter Gabriel (Roman Kolinka) is released from being held hostage by ISIS, he insists that he’s fine, refusing help from his hospital-appointed counsellor. But when his relationship with his girlfriend breaks down, it’s clear that Gabriel needs time to reflect on his ordeal. Gabriel heads to Goa, where he spent some…
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Toronto 2018: Kursk review
★★★☆☆ In August 2000, the Russian submarine Kursk suffered two devastating explosions during a test firing of torpedoes. Many of the crew were killed in the explosions, but as the wrecked sub sank to the seabed, twenty-three of the crew were trapped alive in one of the vessel’s remaining compartments. Thomas Vinterberg’s retelling of the…
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Toronto 2018: Saf review
★★★★☆ Turkish director Ali Vatansever returns with his second feature, Saf, a social drama that examines the human cost of urban renewal. Out-of-work Kamir (Erol Afsin) seems perpetually on the brink of destitution. His faultless insistence on doing the right thing means that he won’t take a job with the construction company who are exploiting…