Cannes 2016: Sieranevada review
★★★★☆ Following past appearances in the Quinzaine and Un Certain Regard sidebars, Romanian director Cristi Puiu returns to Cannes in competition with Sieranevada, a...
★★☆☆☆ “An old, mad, blind, despised, and dying king,” Percy Shelley once wrote in his sonnet England in 1819. He was firing his barbs at King George III but the words could just as well be used for any number of English monarchs including Henry VIII.
★★★★★ Turkish master director Nuri Bilge Ceylan returns to the Cannes Croisette with About Dry Grasses, a wonderful wintry meditation on male fragility and the way we often make our own hells and then deceive ourselves that we’re trapped.
★★★★☆ From sub-Saharan Africa to Afghanistan, Syria to Iraq and Iran, the climate crisis, drought, war, and oppression has created a humanitarian crisis of epic proportions. It is treated as an ethical conundrum, but it isn’t. Either we wish to save those who are in danger of dying, or all our talk of human rights is just so much hot air. This is the core concern of Green Border.
★★★★☆ Following past appearances in the Quinzaine and Un Certain Regard sidebars, Romanian director Cristi Puiu returns to Cannes in competition with Sieranevada, a...
★★★☆☆ Maha Haj debuts in Un Certain Regard with Personal Affairs, a gently mocking comedy of familial and personal relationships set in modern day...
The Croisette has been tuned and the red carpet swept. The giant poster unfurled above the Theatre Lumiere that fronts the great Palais du...
With his slow-burning revenge noir Blue Ruin, Jeremy Saulnier debuted as a startlingly original and bold young director, someone to be watched. Premiering at...
★★☆☆☆ “Where you going to run? This is Margate!” yells the stocky Mr. Big of the over-familiar seaside crime thriller Hard Tide. This small...
★★☆☆☆ From Borgen director Mikkel Nørgaard comes The Absent One, a lacklustre and cliché-ridden follow-up to 2013’s Danish crime thriller The Keeper of Lost...
★★★☆☆ “Who are we living with? What kind of people?” asks a character in the midst of Bela Tarr’s 1984 feature Autumn Almanac, but...
★★★★☆ Since the 1970s it seems that every western is a revisionist western. Clint Eastwood’s 1992 Oscar winner Unforgiven is perhaps the apotheosis, but...