Berlin 2016: Coma review
★★★☆☆ “Every day is the same,” says one of the three women at the centre of Sara Fattahi’s Coma, an intimate and personal portrait...
★★☆☆☆ “An old, mad, blind, despised, and dying king,” Percy Shelley once wrote in his sonnet England in 1819. He was firing his barbs at King George III but the words could just as well be used for any number of English monarchs including Henry VIII.
★★★★★ Turkish master director Nuri Bilge Ceylan returns to the Cannes Croisette with About Dry Grasses, a wonderful wintry meditation on male fragility and the way we often make our own hells and then deceive ourselves that we’re trapped.
★★★★☆ From sub-Saharan Africa to Afghanistan, Syria to Iraq and Iran, the climate crisis, drought, war, and oppression has created a humanitarian crisis of epic proportions. It is treated as an ethical conundrum, but it isn’t. Either we wish to save those who are in danger of dying, or all our talk of human rights is just so much hot air. This is the core concern of Green Border.
★★★☆☆ “Every day is the same,” says one of the three women at the centre of Sara Fattahi’s Coma, an intimate and personal portrait...
★★★☆☆ Leith is a small town in Grant County, North Dakota. Forgotten and dilapidated, it looks like – as one out-of-towner notes – “B-roll...
★★★★☆ Thirty years after its Cannes Film Festival debut, Héctor Babenco’s Kiss of the Spider Woman gets a special edition release on DVD and...
★★★☆☆ The dedication which closes Paul Bettany’s debut film Shelter (2014) reads “To the couple who lived outside my building”. Expressing both detachment and...
★★★★☆ “If you wait for the meek to inherit the Earth, there won’t be any Earth left for them to inherit,” says Bob Hunter...
When Tarantino’s The Hateful Eight was released earlier this year, many pointed to director Sergio Leone as one of the central influences. Tarantino has...
★★☆☆☆ Ramin Bahrani’s At Any Price (2012) has one of those bland three-word titles which bodes no good, yet the results are intriguing if...
★★★★★ Charlie Kaufman and Duke Jones’ Anomalisa is a deep, witty and moving portrait of alienation filmed in stop-motion animation. It’s quite unlike anything...