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Matthew Anderson

SXSW 2021: Bantú Mama review

★★★☆☆ Escaping Paris for a week’s rest and relaxation in the Dominican Republic, Emma (Clarisse Albrecht) says goodbye to pet parrot Coco in the opening moments of Bantú Mama.

SXSW 2021: Our Father review

★★☆☆☆ In spite of two very game central performances by newcomers Baize Busan and Allison Torem, Bradley Grant Smith’s Our Father is the flattest of family drama-comedies.

SXSW 2021: The Lost Sons review

★★☆☆☆ Though the twists and turns of an extraordinary story – a baby stolen at birth, mistaken identities, genealogical discoveries, a fifty-year quest for the truth – are compelling, Ursula Macfarlane’s The Lost Sons has the feel of a somewhat formulaic, made-for-TV documentary.

SXSW 2021: Ludi review

★★★☆☆ Bound by a self-imposed obligation to send money to family back home in Haiti, caregiver Ludi works all the hours God sends in Floridian filmmaker Edson Jean’s debut Ludi.

SXSW 2021: Luchadoras review

★★★★☆ In the opening moments of Paola Calvo and Patrick Jasim’s Luchadoras, female workers take a bumpy bus ride to factories situated on the outskirts of Ciudad Juárez, Mexico.

SXSW 2021: Kid Candidate review

★★★★☆ Jasmine Stodel’s Kid Candidate follows 24-year-old Hayden Pedigo from debut campaign no-hoper to improbable torchbearer for the disenfranchised youth and ignored, impoverished minorities of Amarillo, Texas.