★★★★☆ The first of a two-parter, Spider-Man: Across the Spider-Verse is bigger, bolder and grander than its predecessor, and with little serious competition from Marvel or DC’s live-action factories, looks set to be the best superhero film of the year.
★★★☆☆ A man sits alone in a room with a notepad and begins to scribble down his own voiceover. He only writes on one page and seems to always be starting at the top. His thoughts will be meticulous and he will show a certain expertise. When he’s finished writing he will place the pen on the table, neatly aligned with the pad.
★★☆☆☆ Bereavement, mental health, the threadbare US social welfare system and homelessness are the heavy topics that British-born director Deborah Richards tackles in her debut feature. Unfortunately, their worthy but superficial and somewhat incoherent presentation means that Move Me No Mountain is an emotionally and thematically inert experience.
★★★★☆ The rise, fall and eventual rise again of James Lavelle, vinyl junkie turned trailblazing record label producer and creative figurehead of musical outfit UNKLE, may be an overly familiar tale of the young ingénue who succumbs to his own...
“I love Curb Your Enthusiasm. I want to feel just as entitled as any rich, middle aged white man; that’s how entitled I want my protagonist to be.” Desiree Akhaven does not consider herself to be a political filmmaker. In...
“Form seemed to have gone rigid.” Few sentences or sentiments could better encapsulate the climate in which Věra Chytilová, Queen of the Czech New Wave, forged her boundary-pushing directorial career – or the spunky attitude with which she approached her...
With the release of her fourth feature film in 13 years Jessica Hausner continues the current flow of quietly antagonistic Austrian auteurs speaking truth against the powerful constructs of a bourgeois society that eats its own for sport and pleasure....
