★★☆☆☆ Tom Cruise reprises his role as spy Ethan Hunt in Rogue Nation (2015), the fifth instalment of the Mission: Impossible franchise, this time helmed by screenwriter-turned-director Christopher McQuarrie. While it may deliver on the expected hi-octane thrills and spills with a slew of outrageous stunts, it also delivers a Continue Reading
★★★★☆ Dziga Vertov’s Man with a Movie Camera (1929) still shines, even as an octogenarian. The film remains a testaments to the early days of filmmaking and the commitment to innovation and exploitation of the then-new medium. It has now also transformed itself into something of a time capsule, literally Continue Reading
★★☆☆☆ With a homicidal big game hunter as its chief antagonist, Jean-Baptiste Léonetti’s Beyond the Reach (2014) has a ripped from the headlines topicality, but unfortunately this plodding thriller consistently fails to engage. Michael Douglas plays John Madec, a high-flying finance mogul who likes to relax by taking trophies of Continue Reading
★★★☆☆ For his sixth feature as writer-director, Noah Baumbach continues a newly prolific streak with While We’re Young (2014), which furthers his approach to infusing his cinema with his own thoughts, feelings and verdicts on specific areas of contemporary culture. Where his previous film, the monochrome crowd-pleaser Frances Ha (2012), Continue Reading
★★★★☆ Anand Patwardhan’s War and Peace was released in 2002, and its presentation of escalating nationalist posturing – aka the arms race between India and Pakistan – was incredibly apposite. Over a decade later, WMDs in Iraq may not be the hot-button topic they were back then, but the Bharatiya Continue Reading
★★★☆☆ Given that its source material is a beloved book with a potent history, the film adaptation of Suite Française (2014) is a sincere disappointment. Its a middling exercise in schmaltz, often overflowing with heavily wrought dialogue and oft-deployed melodramatic tactics. Despite two leads of notable standing, this is a Continue Reading
★★★★☆ On his 40th birthday the Italian director Roberto Rossellini received a surprise gift. It was a letter from the Hollywood star Ingrid Bergman: enchanted by his Rome, Open City (1945), she offered to come and make a film with him. She signed off the letter with the only Italian Continue Reading
★★★☆☆ Alex Ross Perry’s Listen Up Philip (2014) follows a self-absorbed writer (Jason Schwartzman) who scuppers his fledgling career through sheer arrogance and misanthropy. It;s both an engaging and a frustrating watch. From the very first scene, Philip is being obnoxious to a former girlfriend who turns up late to Continue Reading
“I don’t like when things are – I can’t believe I’m saying this – so black and white,” laughs Sheila Vand, the doe-eyed star of Ana Lily Amirapour’s stylish and darkly devious feature debut, A Girl Walks Home Alone at Night (2014), released on DVD and Blu-ray this week by Continue Reading
★★★★☆ Youth, beauty and mortality are potent themes in Olivier Assayas’ latest feature Clouds of Sils Maria (2014), starring Juliette Binoche and Kristen Stewart. Binoche plays Maria Enders, a middle-aged actress who remains at the top of her game but is assailed by doubts about her career and which direction Continue Reading
★★★★☆ It’s easy to mistake Ana Lily Armirpour’s A Girl Walks Home Alone at Night (2014) as purely a mash-up of spaghetti western, horror and neo-noir – until a sign appears in Farsi, accompanied by a pile of dead bodies inexplicably dumped in a nearby gulch. In this subversive Iranian Continue Reading
★★☆☆☆ Morgan Freeman and Diane Keaton play Alex and Ruth Carver in Ruth & Alex (2014), a wistfully bland property-based dramedy that comes off as a cross between Location, Location, Location and On Golden Pond (1981). Alex is a struggling artist and Ruth is a retired teacher. Together they live Continue Reading
★★★☆☆ French filmmaker Mia Hansen-Løve isn’t exactly known for emotional subjectivity and visual bombast, so when a young raver tripping out in a field sees an animated bird swooping through the sky in her latest film, Eden (2014), it potentially marks something of a departure. Subsequently, things settle into a Continue Reading
★★★★★ No cinematic genre can capture the inky morality of pernicious scavengers feeding on the carcass of post-war Europe like film noir. And no other noir manages it with quite the pervasive world-weariness and melancholy of The Third Man (1949). Beautifully penned by Graham Greene for Carol Reed’s direction, it is Continue Reading
★★★★☆ The fifth feature from worryingly prolific mid-twenties Quebecoise filmmaker Xavier Dolan, Mommy (2014) sees him returning to the themes that have fuelled his impressive quartet of features thus far, only here they are so tightly woven together to form perhaps his most robust piece of work to date. The Continue Reading
