Dietrich Brüggemann, ‘Stations of the Cross’
Director Dietrich Brüggemann’s Stations of the Cross (2014) finally arrives on UK cinema screens this week after premiering in the competition strand of this year’s Berlinale where...
★★★☆☆ ‘Second time’s a charm’ is not the feeling that hits home when reflecting upon the Coen brothers’ Hail, Caesar!, the opening film of...
The Un Certain Regard section was where the debut feature, A Girl at My Door (2014) from South Korean director July Jung unspooled to...
★☆☆☆☆ The way Bryn Higgins’ sophomore feature, Electricity (2014), sees itself is perhaps an integral part of its ultimate failure. It considers itself as...
Director Dietrich Brüggemann’s Stations of the Cross (2014) finally arrives on UK cinema screens this week after premiering in the competition strand of this year’s Berlinale where...
Palestinian cinema is relatively young in comparison to Arab cinema as a whole. This is for obvious reasons, but that hasn’t stopped a vibrancy...
★★★★★ There are certain works that define the experience of what cinema is, and because of this they become difficult to create a discourse...
★★★★☆ In answer to what he would do to follow 2011’s multi-layered collage The Black Power Mixtape 1967-1975, Göran Hugo Olsson has settled on...
★★★☆☆ After causing a stir on the Croisette where it premiered last year in the Critic’s Week Sidebar You and the Night (2013) is...
★★☆☆☆ There has been an influx of documentaries recently that have focused on the so called “Arab Spring”. Some, like Wiam Bedirxan & Ossama...
★★★★☆ Encircling Rome like a tightening lariat that threatens to flood the environs of the Italian capital with ghosts of its past and future,...
★★★★★ Certain cinematic experiences pander to repeated sittings. Eventually maturity brings with it enlightenment and the secret passages that spark the conscious through sheer...