Blu-ray Review: ‘Creepshow’
★★★☆☆ The horror anthology film has seen something of a renaissance over the past year with The ABCs of Death and V/H/S both proving...
★★★★☆ A swift but singular filmmaking self-portrait, Leos Carax’s It’s Not Me reflects on the French auteur’s 40-year directorial career, as well as his many cinematic – and canine – influences.
★★★★☆ Ralph Fiennes approaches top form as a spiritually and morally-conflicted cardinal during a Vatican Conclave in Edward Berger’s gripping, oft-humorous follow-up to the multi-Oscar-winning All Quiet On the Western Front.
The winners of this year’s 96th Academy Awards were announced earlier this morning at LA’s Dolby Theatre. Christopher Nolan’s Oppenheimer was the big winner on the night, scooping seven Oscars in total including Best Picture, Best Director, Best Actor for Cillian Murphy, and Best Supporting Actor for Robert Downey Jr.
★★★☆☆ The horror anthology film has seen something of a renaissance over the past year with The ABCs of Death and V/H/S both proving...
★★★★☆ British social realism gets a welcome shot in the arm this week with the release of Cannes Directors’ Fortnight hit (and LFF select)...
★★★☆☆ Whilst never quite reaching the compelling heights of recent rockumentary offerings Beware of Mr. Baker, Crossfire Hurricane or Searching for Sugar Man, Greg...
★★★★☆ The flagship restoration of this year’s London Film Festival Archive strand, Captain John Noel’s The Epic of Everest (1924) is both a spirited...
★★★★☆ The first British director to open the London Film Festival since Kevin Macdonald back in 2006, Paul Greengrass shakes off the memories of...
★★★☆☆ British comic actor Richard Ayoade grabbed the attention of the UK industry back in 2010 with feature debut Submarine, a sharp, cineliterate adaptation...
★★★★☆ Sound and vision combine to momentous effect in Alfonso Cuarón’s Gravity (2013), a grand technical touchstone that the next generation of CGI-reliant blockbusters...
★★★☆☆ The spirit of Godard’s 1967 classic Le Weekend lives on in Roger Michell’s playful Le Week-End (2013), a Before-style tale of an ageing...