FrightFest 2017: Mayhem review
★★★☆☆ Joe Lynch’s grisly corporate satire Mayhem follows a young lawyer’s mission to confront the company CEO that screwed him over. The lawyer (Steven...
★★★★☆ A swift but singular filmmaking self-portrait, Leos Carax’s It’s Not Me reflects on the French auteur’s 40-year directorial career, as well as his many cinematic – and canine – influences.
★★★★☆ Ralph Fiennes approaches top form as a spiritually and morally-conflicted cardinal during a Vatican Conclave in Edward Berger’s gripping, oft-humorous follow-up to the multi-Oscar-winning All Quiet On the Western Front.
The 77th Cannes Film Festival concluded with a shift to the new generation. Notable awards went to Sean Baker’s Anora and Iranian director Mohammad Rasoulof The Seed of the Sacred Fig.
★★★☆☆ Joe Lynch’s grisly corporate satire Mayhem follows a young lawyer’s mission to confront the company CEO that screwed him over. The lawyer (Steven...
★★★★☆ It would be unfair to dismiss Imitation Girl as an Under the Skin knockoff. Both are art films featuring an alien landing on Earth and...
★★★★☆ Misogynistic exploitation cinema or a study of misogyny? Premiering at this year’s Horror Channel-sponsored FrightFest, director Trent Haaga’s 68 Kill is a violent,...
★★★☆☆ As the adage goes “Don’t fuck with the Chuck”, and the rule still applies. The maniacal doll is up to no good (for...
FrightFest is a genre fan’s Christmas – a Black Christmas, naturally. 2017 marks its 18th edition and the UK’s premier horror cinema festival has...
★★★☆☆ Isabelle Huppert stars as a beleaguered French science teacher who, following a lightning strike, sporadically transforms into a fire lady. Serge Bozon’s absurdist...
★★★★☆ A young couple Ji-young (Kim Sae-byeok) and Su-hyeon (Cho Hyun-chul) reach a decisive moment in their lives in South Korean Kim Dae-hwan’s impressive...
★★☆☆☆ Italian writer-director Francesca Comencini adapts her own fraught, hysterical novel for the big screen in Stories of Love that Cannot Belong to this...