London 2014: ‘The World of Kanako’ review
★★☆☆☆ Tetsuya Nakashima’s icy drama Confessions (2010) took the hyper-stylised aesthetics of his early work Kamikaze Girls (2004) and Memories of Matsuko (2006) and...
★★★★★ Krzysztof Kieślowski’s Three Colours Trilogy stars Juliette Binoche, Julie Delpy and Irene Jacob in three of the most revered pieces of European cinema ever made. Named after the colours of the French flag (Blue, White and Red), the films are loosely based on the three political ideals of the French Republic; Liberty, Equality and Fraternity.
The Sarajevo Film Festival has a history of resilience, so it was hardly surprising to see it come back stronger than ever after two years of Covid restrictions. Founded in 1995, the festival is now the leading industry event in south-east Europe, showcasing the very best films from across the Balkan peninsula.
★★★★☆ A major contributor to the reverential narrative of wistful cinema, Giuseppe Tornatore’s magnum opus Cinema Paradiso is an elegant distillation of the form’s...
★★☆☆☆ Tetsuya Nakashima’s icy drama Confessions (2010) took the hyper-stylised aesthetics of his early work Kamikaze Girls (2004) and Memories of Matsuko (2006) and...
★★★★☆ Based on Hiroshi Sakurazaka’s All You Need is Kill, Doug Liman’s Edge of Tomorrow (2014) is a rare beast: an actioner with an...
★★★☆☆ György Pálfi’s wilfully sardonic Free Fall (2014) is an inflammatory anthology of satirical vignettes all set within the same Budapest housing block. A...
★★★★☆ Engaging with a near-three-hour sci-fi set entirely within the bedraggled medieval milieu of a distant planet is a daunting proposition, especially one forged...
★★☆☆☆ Of all the monsters that lurk amongst the shadows zombies have somehow prevailed, enduring where other ghouls have fallen, and in the process...
★★★★☆ A celebration of craftsmanship and the creative process, legendary animator Hayao Miyazaki’s mooted swansong, The Wind Rises (2013), examines the delineation between truth...
★★☆☆☆ With sophomore feature I Origins (2014), American independent director Mike Cahill once again utilises the theoretical landscape of the science fiction genre to...
★★★☆☆ All good horror films construct a sense of unease by drawing on relatable fears, burrowing deep into your subconscious and unearthing a Pandora’s...