CineVue
For the latest reviews of arthouse, documentary and indie film in cinemas and on the festival circuit.
★★★★★ The films produced in the inter-war period in Germany were among the most vibrant, innovative and politically charged in all cinema. As part of the BFI’s season of Weimar Cinema, running throughout May and June, one of the its greatest examples is back on the big screen in Josef Continue Reading
The full programme for this year’s Edinburgh International Film Festival has been revealed, bolstering 18 world premieres and 72 UK premieres of films brought to the Scottish capital from countries all over. Now in its 73rd year, the world’s longest continuously running film festival is back and ready to take Continue Reading
★★★☆☆ “Let them fight” was the raison d’etre of Gareth Edwards’ Godzilla, the kaiju-centric creature feature that kickstarted Legendary Studio’s monster-verse back in 2014. Michael Dougherty’s sequel, King of the Monsters has certainly taken its forbear’s mantra to heart, offering up a smackdown between Godzilla and his most iconic enemies, writ extra-large in its IMAX presentation. Continue Reading
★★★★☆ Opening with an excruciating but perversely funny funeral scene, Thunder Road is unapologetic in showing the rawness and devastation death can have on people. Eulogising his dead mother – via a humiliatingly awful song and dance routine – is Texan police officer Jim Arnaud, a deeply troubled man, who Continue Reading
★★★☆☆ The uniquely American phenomenon of Hooters-style sports bars provides the subject matter for Andrew Bujalski’s Support the Girls. More Cassavettes than Coyote Ugly, the film rarely concerns itself too deeply with the politics of such establishments, preferring instead to take a softer, human look at the lives of its Continue Reading
For decades, Hollywood has enjoyed an incredibly close relationship with casinos; whether it’s the countless major movies that have been based in and around casinos and the casino industry or the multi-millionaire movie stars which regularly make their way to big-name casinos to try their hand at the games on Continue Reading
★★★☆☆ It seems there has long been a need for graciously uncool female protagonists in the teen coming-of-age canon, those who remind us of ourselves a little more than the 90s girls from the likes of Empire Records or The Craft that we wished we could be. More recently, Greta Continue Reading
★★★★☆ In 2010, US Army intelligence analyst Chelsea Manning was sentenced to thirty-five years in prison after she leaked classified documents and footage of military operations in Iraq. In 2013, Manning (born Bradley Manning) came out as a transgender woman, before her sentence was commuted in 2017. Through archival footage, Continue Reading
★★★☆☆ Movies love certain professions and psychotherapy is certainly one. They have to listen to people’s problems while (usually) masking their own issues. From Richard Burton in Equus to Billy Crystal in Analyse This, there’s an undoubted attraction to a job which involves lots of listening to other people’s stories. Continue Reading
★★★★☆ A revelation on a bike ride in France leads to a rift between two childhood friends, but through thick and thin, uphill and downhill, friendship proves surprisingly and hearteningly durable in Michael Angelo Covino’s The Climb. Kyle (Kyle Marvin) and Mike (Michael Covino) are BFFs on holiday in France Continue Reading
It’s been a vintage edition of the Cannes Film Festival, with many excellent contenders in the competition. The Palme d’Or went to South Korean director Bong Joon-ho and his masterful black comedy thriller Parasite. It was a popular choice that bested Quentin Tarantino’s Once Upon a Time in Hollywood as Continue Reading
★★★☆☆ Bertrand Bonello’s arthouse horror oddity Zombi Child works best as a film about colonial trauma and the tragic history of Haiti. Those expecting a traditional zombie flick with flesh-eating ghouls clawing at the doors will soon learn this one is more Jacques Tourneur in style than a George A. Continue Reading
★★☆☆☆ It’s time Cannes called a moratorium on screening the films of French director Arnaud Desplechin until he can come back with work as good as A Christmas Tale. Oh Mercy! has no business competing for the Palme d’Or. Co-written with Léa Mysius, who penned the equally dull Ismael’s Ghosts Continue Reading
★★★★★ Families on the lower end of the pay scale have proven fertile ground for filmmakers of late, from Hirokazy Kore-eda’s Palme d’Or-winning Shoplifters to Ken Loach’s latest Sorry We Missed You. But you’d be hard-put to find anything with the acerbic brilliance of Bong Joon-ho’s Parasite, a masterful dissection Continue Reading
★★☆☆☆ A family assemble for a vacation in Portugal and to confront a looming loss in Ira Sachs’ gentle talkathon, Frankie. The film takes place in the Portuguese city of Sinta, a beautiful location, and a family of disparate elements have gathered here to swim, eat and walk, but mainly to Continue Reading