FrightFest 2016: Shelley review
★★★★☆ Ali Abbasi’s striking debut Shelley is a Gothic horror that uses degeneration of the body to explore the exploitation of migrant workers and...
★★★★☆ A swift but singular filmmaking self-portrait, Leos Carax’s It’s Not Me reflects on the French auteur’s 40-year directorial career, as well as his many cinematic – and canine – influences.
★★★★☆ Ralph Fiennes approaches top form as a spiritually and morally-conflicted cardinal during a Vatican Conclave in Edward Berger’s gripping, oft-humorous follow-up to the multi-Oscar-winning All Quiet On the Western Front.
The 77th Cannes Film Festival concluded with a shift to the new generation. Notable awards went to Sean Baker’s Anora and Iranian director Mohammad Rasoulof The Seed of the Sacred Fig.
★★★★☆ Ali Abbasi’s striking debut Shelley is a Gothic horror that uses degeneration of the body to explore the exploitation of migrant workers and...
★★★☆☆ On the colour wheel, Craig Anderson’s Red Christmas is more Bob Clark’s Black Christmas than Michael Curtiz’s White Christmas. While it’s tempting to...
★★★★☆ Anna Biller’s The Love Witch is a movie aesthetes of kitsch will embrace with open arms. Not that the film’s distinct look is...
★★★★☆ Revenge is a dish best served over several courses in Sean Brosnan’s brutal redneck noir tale My Father, Die. Full of Old Testament...
★★★★☆ Ghosts from Our Past: Both Figuratively and Literally, the title of a controversial book co-authored by Erin Gilbert (Kristen Wiig) and Abbey Yates...
★★★☆☆ Home is where the Abattoir is, in Darren Lynn Bousman’s film noir chiller. Swapping torture porn frolics – he helmed several sequels in...
FrightFest 2016, the UK’s premier horror film festival, runs over the forthcoming August Bank Holiday weekend. With over sixty movies set to screen, plus...
In Rome earlier this morning, Alberto Barbera announced one of the most impressive Venice Film Festival lineups in recent years. With stiff competition from...