Venice 2016: The Bleeder review
★★★☆☆ “I could’ve been a contender,” declares Marlon Brando’s brooding pugilist from On the Waterfront, and every actor these days seems to have a...
★★★★☆ A swift but singular filmmaking self-portrait, Leos Carax’s It’s Not Me reflects on the French auteur’s 40-year directorial career, as well as his many cinematic – and canine – influences.
★★★★☆ Ralph Fiennes approaches top form as a spiritually and morally-conflicted cardinal during a Vatican Conclave in Edward Berger’s gripping, oft-humorous follow-up to the multi-Oscar-winning All Quiet On the Western Front.
The 77th Cannes Film Festival concluded with a shift to the new generation. Notable awards went to Sean Baker’s Anora and Iranian director Mohammad Rasoulof The Seed of the Sacred Fig.
★★★☆☆ “I could’ve been a contender,” declares Marlon Brando’s brooding pugilist from On the Waterfront, and every actor these days seems to have a...
★★☆☆☆ In a way the title of Charlie Siskel’s documentary American Anarchist is something of a misnomer. Anarchy as a political movement doesn’t get...
★★★★☆ Korean director Kim Jee-woon is a prolific and accomplished generic gadfly with a western – The Good, The Bad and The Weird –...
★★★☆☆ There are seven stages to grief, we’re told, from denial to acceptance. Andreas Dalsgaard and Obaidah Zytoon’s The War Show is structured with...
★★☆☆☆ You know when you buy a new camera, go into the garden to try it out and just snap things to see how...
★★★★☆ Premiering at this year’s Venice Film Festival, Denis Villeneuve’s Arrival has been greatly anticipated. Firstly, the breakout success of last year’s border epic...
★★☆☆☆ “I want to marry a lighthouse keeper. / And live by the side of the sea.” sang Erika Eigan, but according to The...
★★★★☆ Like an episode of The Twilight Zone guest-directed by Luis Buñuel, The Similars is richly absurd in premise but also founded on a...