Busan 2018: Festival round-up
Slowly emerging from the political turmoil and boycotts it had faced the past few years, the Busan International Film Festival 2018 was one of...
★★★★☆ A swift but singular filmmaking self-portrait, Leos Carax’s It’s Not Me reflects on the French auteur’s 40-year directorial career, as well as his many cinematic – and canine – influences.
★★★★☆ Ralph Fiennes approaches top form as a spiritually and morally-conflicted cardinal during a Vatican Conclave in Edward Berger’s gripping, oft-humorous follow-up to the multi-Oscar-winning All Quiet On the Western Front.
The 77th Cannes Film Festival concluded with a shift to the new generation. Notable awards went to Sean Baker’s Anora and Iranian director Mohammad Rasoulof The Seed of the Sacred Fig.
Slowly emerging from the political turmoil and boycotts it had faced the past few years, the Busan International Film Festival 2018 was one of...
★★★☆☆ Bi Gan’s follow-up to Kaili Blues is a stylish noir which drifts through a fluid world of dreams, memories and languid conversations as its protagonist...
★★★★☆ Famous Fifth Generation Chinese filmmaker Zhang Yimou’s latest wuxia tale based in the Three Kingdoms period of Chinese history is about power, intrigue and survival,...
★★★☆☆ A writer sits in a café listening in on conversations had over coffee and soju about serious and mundane matters. This 66-minute film...
★★★★☆ Adolescent delinquents Mára (Tomás Mrvík) and Heduš (Jan Frantisek Uher) are best friends, wiling away the hours by joy riding in old Audis and...
★★★★☆ Dalibor K. lives in a small house with his mother. He works a poorly-paid job in a factory, and spends his free time...
★★★★☆ Based on the autobiographical novel by Zdenek Svěrák, and co-directed with Zdenek and his son Jan, Barefoot tells the story of eight-year-old Eda (Alois Grec), who...
★★☆☆☆ Director Tomás Pavlíchek’s follow-up to 2014’s Parádne Pokecal, is a sweet and broadly entertaining comedy drama which sadly falls shy of its mark. Centred...