Toronto 2015: ‘A Tale of Love and Darkness’ review
★★★☆☆ Tackling the period surrounding the British Mandate for Palestine and the subsequent formation of the State of Israeli is a very brave choice...
★★★★☆ A swift but singular filmmaking self-portrait, Leos Carax’s It’s Not Me reflects on the French auteur’s 40-year directorial career, as well as his many cinematic – and canine – influences.
★★★★☆ Ralph Fiennes approaches top form as a spiritually and morally-conflicted cardinal during a Vatican Conclave in Edward Berger’s gripping, oft-humorous follow-up to the multi-Oscar-winning All Quiet On the Western Front.
The 77th Cannes Film Festival concluded with a shift to the new generation. Notable awards went to Sean Baker’s Anora and Iranian director Mohammad Rasoulof The Seed of the Sacred Fig.
★★★☆☆ Tackling the period surrounding the British Mandate for Palestine and the subsequent formation of the State of Israeli is a very brave choice...
★★☆☆☆ “What do you miss about mum?” Rose (Zamira Fuller) the youngest daughter of three asks her father, Dee (Muhammet Uzuner). “I used to...
★★★☆☆ Italian director Marco Bellocchio makes his return with Blood of My Blood (2015), another typically anomalous effort being theme rather than plot-driven. Divided...
★★★★☆ Nitzan Giladi’s fantastic debut feature Wedding Doll (2015), premièring at Toronto this year, is the second Israeli film in as many years to...
★★☆☆☆ Deceit and callousness abound in Sebastian Ko’s psychological drama We Monsters (2015). It begins with an effective, open question which Marcus Seibert’s screenplay...
★★★☆☆ Igor Drljača’s The Waiting Room (2015) bears no little resemblance to its cowed protagonist, Jasmin (Jasmin Geljo). A sad clown of a man,...
★★★☆☆ An elegy for both the lost world of the Jewish shtetl and the fanciful idylls of childhood, the exquisitely lensed Song of Songs...
★★★★☆ The unsettling skeleton of Paul Bowles’ short story A Distant Episode gives a narrative framework to Ben Rivers latest odyssey into the ethereal...