Film Review: ‘L’Eclisse’
★★★★☆ There are some films that are defined, or at least deeply coloured by the power and poetry of their final scenes. Christian Petzold’s...
★★☆☆☆ “An old, mad, blind, despised, and dying king,” Percy Shelley once wrote in his sonnet England in 1819. He was firing his barbs at King George III but the words could just as well be used for any number of English monarchs including Henry VIII.
★★★★★ Turkish master director Nuri Bilge Ceylan returns to the Cannes Croisette with About Dry Grasses, a wonderful wintry meditation on male fragility and the way we often make our own hells and then deceive ourselves that we’re trapped.
★★★★☆ From sub-Saharan Africa to Afghanistan, Syria to Iraq and Iran, the climate crisis, drought, war, and oppression has created a humanitarian crisis of epic proportions. It is treated as an ethical conundrum, but it isn’t. Either we wish to save those who are in danger of dying, or all our talk of human rights is just so much hot air. This is the core concern of Green Border.
★★★★☆ There are some films that are defined, or at least deeply coloured by the power and poetry of their final scenes. Christian Petzold’s...
★☆☆☆☆ The second adaptation of the successful video game series, Hitman: Agent 47 (2015) is no good whatsoever. Everything about it feels tired and half-hearted,...
★★★☆☆ All genres go through cycles and phases. The High School movie is currently deep into a self-referential phase, in thrall to the classics...
★★★★☆ Tender, heartbreaking and endlessly engaging, the third feature by the hand of one of England’s most intriguing directors is one of the must-see...
★★★★★ Named by Susan Sontag as “the perfect film”, Jean-Luc Godard’s Vivre Sa Vie (1962), rereleased on Blu-ray this week by the BFI, is...
★★★★☆ Having featured in a variety of documentaries that explore the fashion scene in and around New York City, the unique and irrepressible fashionista...
★★★☆☆ Queen & Country (2014), which screened in the Director’s Fortnight sidebar at Cannes last year, is the second part of John Boorman’s filmic...
★★★★☆ In a nameless girls’ school, somewhere in wet, rural England, girls are falling – in both senses. The year is 1969, and it...