CineVue
For the latest reviews of arthouse, documentary and indie film in cinemas and on the festival circuit.
★★★★☆ Debuting at this year’s Glasgow Film Festival, British crime drama Urban Hymn is an impressively rounded character study set against the London riots of 2011, in which people far and wide acted out in protest to the death of Mark Duggan. Teenager Jamie (Letitia Wright) has been in care Continue Reading
★★★★★ Director Babak Anvari’s Under the Shadow uses the haunted house setup and classical filmmaking techniques expressly for political purposes. Former radical leftist Shedih (Narges Rashidi) is re-educated by the theocratic state in post-revolution Iran. The evil spirits plaguing the flat of this young mum not only represent a mental Continue Reading
★★★☆☆ How far can a fart joke get you? That’s the question posed by Sundance offering Swiss Army Man. The answer is surprisingly far, but ultimately it’s going to start to go stale at some point. Viral video artists Daniel Scheinert and Daniel Kwan’s debut feature is a loopy comedy Continue Reading
★★★☆☆ Southside with You is the film equivalent of a comfortable pair of familiar shoes, the feeling of sitting down into a cosy chair, or the first sip of a cup of tea – it’s ‘nice’. That is to damn with rather faint praise. This may not be one for Continue Reading
★★★☆☆ Much has been made of the prominence of a ‘white saviour’ in biographical historical epic Free State of Jones. Is this a film about slavery? Yes. Is it led by a white character? Yes. But to limit the field of vision and intent of director Gary Ross’ latest feature Continue Reading
★☆☆☆☆ At first glance The Fencer has a lot going for it. Set in Soviet occupied Estonia, it is the oddball tale – partly based on true events – of a renowned fencer (Märt Avandi, known as Endel in the film) on the run from the authorities who sets up Continue Reading
★★★☆☆ “Either I’m a psychopath in sheep’s clothing, or I am you.” Delivered by the principal subject of Rod Blackhurst and Brian McGinn’s Netflix Original documentary, the chilling ambiguity of this opening gambit is the knife-edge course taken to ascertain the truth of Meredith Kercher’s 2007 murder and a shambolic Continue Reading
★★★★☆ It’s hardly surprising that the wit of Jane Austen’s writing is often overlooked when it’s transposed onto the screen. It’s not so much that adaptations actively avoid it as much as neglect to emphasise the regular disharmony between what characters are saying and what they really think in favour Continue Reading
★★★★★ Hollywood producer Val Lewton was known for taking B-grade movie concepts handed to him by studio executives and elevating them to become more than the sum of their parts. Being both a taut psychological melodrama and highly effective chiller, Cat People is arguably Lewton’s best known and most lauded Continue Reading
★★★☆☆ While Juan Piqeur Simón’s 1988 infestation horror Slugs can hardly stand up to the broad appeal of the similarly-themed Arachnophobia, Critters or Tremors, its doubling down on the splatter factor ensures the film’s place in the pantheon of B-grade creature features. With a barely-functional script that recycles virtually every Continue Reading
In The Lovers and the Despot, Ross Adam and Robert Cannan recount the bizarre and fantastic story of Shin Sang-ok and Choi Eun-hee, two darlings of the South Korean film industry kidnapped by Kim-Jong-il to make North Korea a leader in world cinema. CineVue’s Maximilian Von Thun spoke to the Continue Reading
Strasbourg native Rachel Lang makes her feature debut with Baden Baden, a Franco-Belgian co-production that takes place in the director’s Alsatian borderlands hometown. A quest for meaning and sense of self as well as place, it is a beguiling, intriguing journey, confounding expectation at each meandering turn. The young French Continue Reading
★★☆☆☆ There are a few moments at the beginning of Antoine Fuqua’s The Magnificent Seven when it seems to make a case for its own existence. The trailers may have done their darnedest to make it look like a frontier Suicide Squad (did nobody tell them how that worked out?) Continue Reading
★★★☆☆ Two subjects one would never expect to encounter in the same film; North Korea and cinephilia. They come together – bizarrely and fascinatingly – in Robert Cannan and Ross Adam’s documentary The Lovers and the Despot. In 1978, celebrated South Korean actress Choi Eun-hee visited Hong-Kong to discuss what Continue Reading
★★★★☆ The final film in a trilogy focusing on New York City, Ira Sachs’ latest feature Little Men, starring Jennifer Ehle and Greg Kinnear, follows the rites of passage of two thirteen-year-old boys, Jake (Theo Taplitz) and Tony (Michael Barbieri). Jake is a sensitive loner whose artistic talents are derided Continue Reading