Toronto 2015: ‘The Kind Words’ review
★★☆☆☆ During the Q & A session which followed the international première of Shemi Zarhin’s The Kind Words (2015) on the opening night of...
Despite dividing critics following its world premiere, Jojo Rabbit won over audiences in the public vote: Joker may well have had the last laugh at Venice, but it...
★★☆☆☆ A creature feature for the environmentalist age, Irish TV and film director Neasa Hardiman’s latest project is a fun and inventive body horror that...
★★★★★ Can violence be contained through ritual? Does sanctioning violence in specific contexts purge the need for its spontaneous outburst? In his seventh feature,...
★★☆☆☆ During the Q & A session which followed the international première of Shemi Zarhin’s The Kind Words (2015) on the opening night of...
★★★☆☆ The subject of guilt is one that cinema often returns to for its potential to be expressed in inventive and thought-provoking ways. In...
★★★☆☆ Tackling the period surrounding the British Mandate for Palestine and the subsequent formation of the State of Israeli is a very brave choice...
★★★★☆ Nitzan Giladi’s fantastic debut feature Wedding Doll (2015), premièring at Toronto this year, is the second Israeli film in as many years to...
★★☆☆☆ Deceit and callousness abound in Sebastian Ko’s psychological drama We Monsters (2015). It begins with an effective, open question which Marcus Seibert’s screenplay...
★★★☆☆ Igor Drljača’s The Waiting Room (2015) bears no little resemblance to its cowed protagonist, Jasmin (Jasmin Geljo). A sad clown of a man,...
★★★☆☆ An elegy for both the lost world of the Jewish shtetl and the fanciful idylls of childhood, the exquisitely lensed Song of Songs...
★★★★☆ The unsettling skeleton of Paul Bowles’ short story A Distant Episode gives a narrative framework to Ben Rivers latest odyssey into the ethereal...