Toronto 2015: ‘Koza’ review
★★★☆☆ The distant memory of former glories fuels the tragicomedy of Ivan Ostrochovský’s fiction feature debut, Koza (2015). The title is the Slovak for...
Despite dividing critics following its world premiere, Jojo Rabbit won over audiences in the public vote: Joker may well have had the last laugh at Venice, but it...
★★☆☆☆ A creature feature for the environmentalist age, Irish TV and film director Neasa Hardiman’s latest project is a fun and inventive body horror that...
★★★★★ Can violence be contained through ritual? Does sanctioning violence in specific contexts purge the need for its spontaneous outburst? In his seventh feature,...
★★★☆☆ The distant memory of former glories fuels the tragicomedy of Ivan Ostrochovský’s fiction feature debut, Koza (2015). The title is the Slovak for...
★★☆☆☆ If there’s something that can be said of Russian director Ilya Naishuller’s Midnight Madness violence-fest Hardcore (2015) it’s that you’re unlikely to see...
★★★★☆ As the name would suggest, Toronto’s Platform strand offers up-and-coming filmmakers a springboard from which to showcase their work on the world stage....
★★★★☆ With Maidan (2014), Ukrainian director Sergei Loznitsa made a stunning document of recent events, giving the sensation that history was being freshly minted...
★★★★☆ Old hags, horned deceivers and scary forests have all been done to death and it’s easy to see why audiences might tire of...
★★★★☆ Despite eschewing colour in favour of the rich textures of monochrome, Ciro Guerra’s Embrace of the Serpent (2015) manages to be one of...
★★★★☆ Actor Jake Gyllenhaal has recently proved himself more than capable of carrying a film on his alternately emaciated (Nightcrawler) or buffed-up (Southpaw) shoulders....
★★☆☆☆ The Mount of Olives in Jerusalem makes for an endlessly striking location in Yaelle Kayam’s delicately constructed Mountain (2015). The oldest active Jewish...